MissingSign tee-shirt, leather skirt, girdle out of leather, socks out of wool and short ankle boots Arche.
Gabrielle Lys 2005.
THE WARRIOR OF THE LIGHT
""Here is the first teaching of the knighthood: you will erase what you write until now on the book of your life: concern, lack of insurance, lie. With the place, you will write the word "courage". By beginning the travel with this word; and while continuing it with the faith of God, you will arrive where you must arrive."
[Handbook of the Warrior of the Light - Paulo COELHO]
Embroidery gold veil in silk on an armour of Knight. Dress and hairstyle out of gold.
Gabrielle Lys. February 21, 2008.
The fallen angel of God. Skirt with belt with the figures of Satan. The wings are transformed into a cape of veil with scintillating brilliances. Gothic Party of PilGrimage in Brussels
Gabrielle Lys August 2007.
THE WARRIOR OF THE LIGHT :
"Fan" Dress in braided silk.
Gabrielle Lys. August 17, 2010.
- What is necessary to make? known as the Small Prince.
- It is necessary to be very patient, answered the Fox.
You will sit down yourself initially a little far from me, like that, in grass.
I will look at you corner of the eye and you will say nothing.
The language causes misunderstanding.
But, each day, you will be able to sit down a little more close...
[Antoine de Saint Exupéry]
Men in Skirt
Current in the past, (remember the Greek tunic to the warlike little skirt of the Roman soldier), the skirt is today still the attribute of men in a lot of countries, and sometimes even their exclusiveness : Pakistani shalwar kamiz ,North-African caftan or Scottish kilt... On the history of the 2500 year old humanity, there is less than 250 years in Europe, the man still wore skirts tunics or kilt.
However, the centuries saw the women borrowing little by little all the elements of male garde-robe, to start with the hat, at the 16th century, while passing by the jackets of man at the 18th century (for hunting, horsemanship), to finish by
, so revolutionary, at the beginning of the 20th century.
Our modern society
since two centuries, our modern society has put acccent on the side output, effectiveness and action of the man. With the time of industrialization, the men, considered as machines, were to be useful and profitable. Consequently, any "decorative" clothing in opposition to functional was banished from male guard wraps. Thus was born the trousers such as we know it since 1820. Much more practical to work in the factories of mass production. With the skirt, low-sticking but also gradually jewels and hats disappeared.
The woman, more expansive, continued to discover other clothing and other styles, to dress herself according to its personality or its mood. This becomes with the wire of time, a right for her. But this freedom was always connected with the concern of taking care of harmonizing colors, clothing and silhouette well to build a harmonious image.
Our modern society has an annoying tendency to all to catalogue, all to label, all to divide: one is of left or one is of right-hand side. One is for or one is against. One is man or one is woman. And for obvious reasons of profitability in the marketing and mass production, clothing was divided into two categories: men shops and woman shops.
Victim of 2 centuries of taboos, the man's guard wraps was reduced with an strict panoply, keeping only the necessary one to its work to completely forsake the Skirt, clothing with more contemplative dimension, where the female connotation could make fear that his sex and can be especially his sexual orientation are called in question.
The liberalization of the woman (symbolized by her
conquest of the trousers
) obliges us to take part in this evolution which goes in the direction of a meeting, an alliance between our conscious dimension and our unconscious dimension. Thus the Men out of Skirt appeared.
Men in Skirt.
Sometimes, the warrior of the Light has the impression to live two lives in parallel. In one, he is obliged to do all that he does not want, to fight for ideas in which he does not believe. But there is another life, and he discovers it in his dreams, his readings, his meetings with beings which think like him. The warrior allows his two lives to approach. "There is a bridge which connects what I make and what I will like to do" he thinks. Little by little, his dreams invade its routine, until the moment he feels ready for what he always wished. Then, it is enough to a little audacity, and the two lives do nothing any more but one (extracted from "Handbook of the Warrior of the Light". Paulo Coelho)
Although undergoing a psychological insulation, we are some in Belgium and to elsewhere dare to leave in skirt in the street. We cannot justify our acts by the claim on a practical side (whereas it was the principal reason for
womens out of trousers
). It is however better to support heat. What motivates us: the different feelings from those of the trousers, the pleasure of the change, the research of entirety to be it.
If these explorations can make scandal today, it is because it do not have any utility (the practical side is reduced) and because it terribly call into question the image of the Man, taboo subject. Not, the Man is not this carapace which the costume illustrates so well (substitute of industrial times to the armour), he can be sensitive, sensual. This sensuality can relate to other fields that those, agreed, like good wine or expensive food. The man has a body and he has the right to show it in a context other than sporting (which context is reassuring because his power does not call) or estival.
We want not to drive back any more what a traditional education regards being as specifically female. We know that in the past (Antiquity, the Average Age or the modern time), our similar got dressed with skirts or dresses (and sticking). Inserted in a consumer society increasingly more demanding, we want to live fully in a comfortable and elegant dress, adapted to our morphology without calling into question our male condition. we refuse the monolithic male image conveyed since the appearance of the industrial society. We suffer from one miss vestimentary freedom, of a lack of recognition in our sensitivity. We suffer from one miss vestimentary freedom, of a lack of recognition in our sensitivity.
The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Man out of skirt with the colors of the summer.
Gabrielle Lys. May 2007.
SON OF AVALON:
Year 2010. Such an armour, he wears hulls of motorcyclist's protection on his shoulders and thorax. Man of the north, he wears the skirt like the guard of his Celtic roots. He is the worthy son of the island of Avalon.
Gabrielle Lys. October 2007.
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14/12/2019 - 10h21
Beatrix elizabeth Hyden
- Tas -
Androgynous in mind. Male in nature. Female in appearance. What else... Mind the step!
13/01/2021 - 18h19
- France -
J'ai toujours évolué dans un univers de travail exclusivement masculin : Le BTP.
En dehors de mon travail de directeur, j'ai toujours aimé porter des shorts en été, plutôt courts, et j'aime les vêtements plutôt androgyne ; en l'occurrence, j'aime beaucoup les vêtements féminins et autres jupes et robes de ces dames. Je peux dire qu'elles m'ont toujours donné l'envie de pouvoir les porter à mon tour. Elles sont pour moi source émancipation masculine !
J'ai une sensibilité plutôt féminine, j'aime autant le Rock que la poésie et la littérature...l'aventure, les rencontres, la photo, les gens !
J'ai aussi une tendance à contrecarrer toute discipline imposée, révolutionnaire depuis toujours contre les inégalités et les codes. Juste le fait que ce vêtement invite à la liberté m'impose d'y réfléchir et de m'inscrire dans un style qui réforme les choses convenues. J'aime que ma façon d'être et mon habillement suscite curiosité et quelque fois provocation !
Je découvre aujourd'hui - par plusieurs articles de presse de couturiers de la jupe, stylistes, et puis par votre blog et ...je vois que les quelques derniers posts un peu provoc sur facebook suscitent les réactions : Ah le foutu regard des autres !
Par contre, tout ce que je découvre - enfin - sur cet univers laissé en jachère depuis la Révolution Française n'est pas vraiment dans un style novateur : Tartans et kilts écossais, tenues "celtiques", etc, ou alors le noir "punk".
j'ai vraiment l'impression (mais je n'ai encore pas franchi le premier pas !) que si ce vêtement sortait de ces caricatures vieillottes (je n'ai pas dit moches !) alors le vieux fantômes du déguisement et du travestissement tiendrait encore longtemps la barre haute aux idées reçues.
J'ai dit en début d'année que je tenterai l'expérience et je le ferai...mais pas n'importe comment. Je prendrai soin de ne pas choquer, en tous cas j'essaierai. J'ai vraiment envie que l'expérience devienne une réalité "vivable" au quotidien. Mon nouveau travail (gérant d'un bar qui se voudrait le plus possible alternatif) va forcément m'aider dans ma démarche.
En tous cas, je suis content de vous avoir découvert...
Last msg of GuestBook :
- France -
- added 12/04/2018.
je porte des jupes et jupons des années 50/60 a la maison mais n'ose pas sortir habillé comme cela dans la rue. Par contre je sort habillé en kilt écossais le plus souvent possible se qui ne me gêne pas car j'adore porter des jupes plissée et bien sur les kilts
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