![GABRIEL REQUESTS: GABRIEL PRIE: Marie, if I could In your naked arms Rest me Death promised his last dance Marie, I will wait Until to the sky you come to find Me [Marie - Johnny Hallyday] With his blue celestial hair, Gabriel requests Marie. Jacket with shoulder pads out of folded wheels. Long velvet skirt in range of folds and small trail in tail. Gabrielle Lys. Marsh 4, 2008.](dessin_gabrielle_lys/medium/20080304_androgyne_gabriel_chanson_cheveux.jpg "GABRIEL REQUESTS: GABRIEL PRIE: Marie, if I could In your naked arms Rest me Death promised his last dance Marie, I will wait Until to the sky you come to find Me [Marie - Johnny Hallyday] With his blue celestial hair, Gabriel requests Marie. Jacket with shoulder pads out of folded wheels. Long velvet skirt in range of folds and small trail in tail. Gabrielle Lys. Marsh 4, 2008.")
GABRIEL REQUESTS:
GABRIEL PRIE:
" Marie, if I could
In your naked arms
Rest me
Death promised his last dance
Marie, I will wait
Until to the sky
you come to find Me"
[Marie - Johnny Hallyday]
With his blue celestial hair, Gabriel requests Marie. Jacket with shoulder pads out of folded wheels. Long velvet skirt in range of folds and small trail in tail.
Gabrielle Lys. Marsh 4, 2008.
|
![RETURN OF THE ANGEL: He knows that the Angel of That which inspires him went to make a turn. The Warrior keeps his attention turned towards his fight, and he perseveres, even when all appears vain to him. Soon, the Angel will return and, with the simple rustle of his wings, the joy will be again there. [Handbook of the Warrior of the Light - Paulo Coelho] The Angel of the Warrior is back. He wears a blue satin dress with deep cut off out of velvet, a helmet and an arm of armour. The dress with the armour symbolizes his identity bipolarity. He carries the crowned feather, symbol of his celestial capacity. Gabrielle Lys. February 28, 2008.](dessin_gabrielle_lys/medium/20080228_androgyne_guerrier_robe_texte.jpg "RETURN OF THE ANGEL: He knows that the Angel of That which inspires him went to make a turn. The Warrior keeps his attention turned towards his fight, and he perseveres, even when all appears vain to him. Soon, the Angel will return and, with the simple rustle of his wings, the joy will be again there. [Handbook of the Warrior of the Light - Paulo Coelho] The Angel of the Warrior is back. He wears a blue satin dress with deep cut off out of velvet, a helmet and an arm of armour. The dress with the armour symbolizes his identity bipolarity. He carries the crowned feather, symbol of his celestial capacity. Gabrielle Lys. February 28, 2008.")
RETURN OF THE ANGEL:
"He knows that the Angel of That which inspires him went to make a turn. The Warrior keeps his attention turned towards his fight, and he perseveres, even when all appears vain to him. Soon, the Angel will return and, with the simple rustle of his wings, the joy will be again there."
[Handbook of the Warrior of the Light - Paulo Coelho]
The Angel of the Warrior is back. He wears a blue satin dress with deep cut off out of velvet, a helmet and an arm of armour. The dress with the armour symbolizes his identity bipolarity. He carries the crowned feather, symbol of his celestial capacity.
Gabrielle Lys. February 28, 2008.
|
New York city:
Since the skirt for man is worn in the biggest Western metropolises, it is in New York city that the first dresses make their appearance. In front of the building of the fifth avenue, Flo, the leading fashion model wears a dress in fabric on one white sticking. Gray ankle boots in imitation leather were selected for this escapade on the roofs. Flo carries a long raincoat.
Gabrielle Lys. April 2006.
|
Whiteness:
Sensual whiteness
Like a body in sleep
Transparency of desire
Nonchalance to be it
Magic winter
Gabrielle Lys. November 2006.
|
|
Other websites of Gabrielle Lys:
|
|
The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
book
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
|
![THE PHANTOM FACE: I don't know your face no more Or feel your touch that I adore It's just a place I'm looking for [We might as well be strangers - Keane] She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk. Gabrielle Lys. November 19th, 2008.](dessin_gabrielle_lys/medium/20081119_chanson_robe_18ieme.jpg "THE PHANTOM FACE: I don't know your face no more Or feel your touch that I adore It's just a place I'm looking for [We might as well be strangers - Keane] She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk. Gabrielle Lys. November 19th, 2008.")
THE PHANTOM FACE:
"I don't know your face no more
Or feel your touch that I adore
It's just a place I'm looking for"
[We might as well be strangers - Keane]
She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk.
Gabrielle Lys. November 19th, 2008.
|
ORANGE HAIR:
Dress and hair with the fashion colors of this summer. Satin dress with underskirt of muslin in several thicknesses.
Gabrielle Lys. May 6, 2008.
|
Last statistics :
6 visits today
5 visits today
1 visit today
6726 visits by day max
410283 visits
550 Supporters
55
495
80 Messages
180 Drawings
|
Last member
20/02/2012 - 17h35
Pauline
- L'hay les roses
- France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par l’actrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, c’est la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel…». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans l’art de cette coiffure qui fut renommer la coupe à la garçonne.
[Members list]
(free)
|
Last member
01/04/2017 - 01h29
Israel Morales
- Sogamoso
- Colombia -
Lo mas adecuado, cómodo, decente, y saludable para vestirse un hombre es una falda; o un vestido con falda.
Esta es mi mejor justificasion para volver a usar las faldas.
El pantalón fue utilizado para discriminar, y humillar a la mujer; (es la prenda mas exhibicionista y sexista que se haya utilizado; y en especial para el varon, pues la anatomía de la mujer es diferente, y un pantalón en la mujer no es tan INSINUANTE, ni tan exhibicionista como en el hombre. Lo mas decente, cómodo, y SALUDABLE para vestirse un varon es una falda o un vestido con falda.
Por tradición los hombres desde siempre se habían vestido con faldas, solo hace 300 años que los obligaron a usar pantalón.
El pantalón es la prenda menos adecuada para un hombre; el calzoncillo bóxer, hace las veces de férula en los genitales, (propiciando mal funcionamiento, y discapacidades), la costura central del pantalón maltrata, magulla e incomoda todo el tiempo los genitales; la correa o cinturón hace las veces de torniquete, y obliga al corazón a bombear la sangre con mayor esfuerzo, (para vencer la contracción que hace el torniquete), y por mala irrigacion sanguínea afecta: el aparato digestivo, el sistema urinario, el aparato reproductor. Ademas con el uso del pantalón el hombre ha terminado orinando de pie lo cual es totalmente antinatural. Las Faldas y los vestidos con faldas para los hombres son suprema-mente SALUDABLES, CÓMODOS Y CONFORTABLES. El pantalón, el calzoncillo ajustado, la costura central del pantalón, y la correa o cinturón, están promoviendo las enfermedades modernas de los hombres: IMPOTENCIA, ESTERILIDAD, PROBLEMAS DE LA PRÓSTATA Y POSIBLEMENTE CÁNCER DEL TESTÁCULO.
Ninguna parte del cuerpo del varon se maltrata mas que los genitales.
Por salud y comodidad mejor usar FALDAS O VESTIDOS CON FALDA
[Supporters List]
(free)
|
Last msg of GuestBook :
Jean
- Lyon
- France -
- added 08/02/2016.
Bravo pour ce magnifique site
Dommage que les articles sur la jupe se fassent rares.
Je me suis mis à porter la jupe de temps en temps depuis un an. Au début difficile de s'aventurer en ville tant la crainte des regards est grande. Mais en fait, cela passe assez bien. Cependant, j'ai l'impression d'être bien seul et j'aimerais bien que d'autres osent et que ce vêtement puisse ainsi être porté plus facilement.
Je précise que je suis un jeune senior et c'est par plaisir que je porte la jupe. Liberté de mouvement, originalité, confort.
Espérant que tout cela évolue vite...
[Add a message]
|
|
![GABRIEL REQUESTS: GABRIEL PRIE: Marie, if I could In your naked arms Rest me Death promised his last dance Marie, I will wait Until to the sky you come to find Me [Marie - Johnny Hallyday] With his blue celestial hair, Gabriel requests Marie. Jacket with shoulder pads out of folded wheels. Long velvet skirt in range of folds and small trail in tail. Gabrielle Lys. Marsh 4, 2008.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20080304_androgyne_gabriel_chanson_cheveux.jpg "GABRIEL REQUESTS: GABRIEL PRIE: Marie, if I could In your naked arms Rest me Death promised his last dance Marie, I will wait Until to the sky you come to find Me [Marie - Johnny Hallyday] With his blue celestial hair, Gabriel requests Marie. Jacket with shoulder pads out of folded wheels. Long velvet skirt in range of folds and small trail in tail. Gabrielle Lys. Marsh 4, 2008.")
![RETURN OF THE ANGEL: He knows that the Angel of That which inspires him went to make a turn. The Warrior keeps his attention turned towards his fight, and he perseveres, even when all appears vain to him. Soon, the Angel will return and, with the simple rustle of his wings, the joy will be again there. [Handbook of the Warrior of the Light - Paulo Coelho] The Angel of the Warrior is back. He wears a blue satin dress with deep cut off out of velvet, a helmet and an arm of armour. The dress with the armour symbolizes his identity bipolarity. He carries the crowned feather, symbol of his celestial capacity. Gabrielle Lys. February 28, 2008.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20080228_androgyne_guerrier_robe_texte.jpg "RETURN OF THE ANGEL: He knows that the Angel of That which inspires him went to make a turn. The Warrior keeps his attention turned towards his fight, and he perseveres, even when all appears vain to him. Soon, the Angel will return and, with the simple rustle of his wings, the joy will be again there. [Handbook of the Warrior of the Light - Paulo Coelho] The Angel of the Warrior is back. He wears a blue satin dress with deep cut off out of velvet, a helmet and an arm of armour. The dress with the armour symbolizes his identity bipolarity. He carries the crowned feather, symbol of his celestial capacity. Gabrielle Lys. February 28, 2008.")
![THE PHANTOM FACE: I don't know your face no more Or feel your touch that I adore It's just a place I'm looking for [We might as well be strangers - Keane] She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk. Gabrielle Lys. November 19th, 2008.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20081119_chanson_robe_18ieme.jpg "THE PHANTOM FACE: I don't know your face no more Or feel your touch that I adore It's just a place I'm looking for [We might as well be strangers - Keane] She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk. Gabrielle Lys. November 19th, 2008.")
