![THE PHANTOM FACE: I don't know your face no more Or feel your touch that I adore It's just a place I'm looking for [We might as well be strangers - Keane] She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk. Gabrielle Lys. November 19th, 2008.](dessin_gabrielle_lys/medium/20081119_chanson_robe_18ieme.jpg "THE PHANTOM FACE: I don't know your face no more Or feel your touch that I adore It's just a place I'm looking for [We might as well be strangers - Keane] She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk. Gabrielle Lys. November 19th, 2008.")
THE PHANTOM FACE:
"I don't know your face no more
Or feel your touch that I adore
It's just a place I'm looking for"
[We might as well be strangers - Keane]
She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk.
Gabrielle Lys. November 19th, 2008.
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The man in red: fushia boots and girdles out of deer, black leggings dim-up, red skirt adit by pull knobs, matched tee-shirt and wind-breaker. Fushia eye shadow. Gabrielle Lys 2005.
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![ANGEL IN THE SKY : I've tried so hard To tell myself that you're gone And though your still with me I've been alone all along. [MY IMMORTAL - Evanescence] Crepe blouse with sleeves. Matching skirt with chiffon layers. Gabrielle Lys. May 29, 2010.](dessin_gabrielle_lys/medium/20100529-angel-in-the-sky-chanson.jpg "ANGEL IN THE SKY : I've tried so hard To tell myself that you're gone And though your still with me I've been alone all along. [MY IMMORTAL - Evanescence] Crepe blouse with sleeves. Matching skirt with chiffon layers. Gabrielle Lys. May 29, 2010.")
ANGEL IN THE SKY :
"I've tried so hard
To tell myself that you're gone
And though your still with me
I've been alone all along".
[MY IMMORTAL - Evanescence]
Crepe blouse with sleeves. Matching skirt with chiffon layers.
Gabrielle Lys. May 29, 2010.
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PERFECT LOOK:
He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without handles matched on a shirt with short handles.
Gabrielle Lys. September 2007.
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Proportion of Skirt.
Introduction.
To put on a skirt for a man can require a long research in the stores. That also requires to know some rules on the proportions. According to the dictionary, the word proportion means: "harmonious report/ratio of the parts between them and with the unit".
Le
nombre d'or
en matière de proportion est 1.618. Ainsi si l'on divise une longueur de 100 cm par 1.618, on obtient deux segments: l'un mesure 61.8cm et l'autre mesure 38.2 cm. Cette proportion entre ces deux longueurs est considérée comme particulièrement esthétique.
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The wood mannequin makes it possible to study the positions of the human body.
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Ideal proportion of the human body.
It is considered that ideally, a man measures 7 times and half the height of his head.
A man measures 7 times and half the height of his head.
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Head (of the top to the chin) : 1 head
bust (of the chin to the size) : 2 heads.
basin (of the size to the crotch) : 1 head.
Legs (of the crotch on the ground) : 3 heads.
Foots : 1/2 head.
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Proportion of the human body in the fashion drawing.
For reasons of esthetics, the fashion drawing prefers longer figurines lengthened under the size.
In the fashion drawing, a man measures 8 times and half the height of his head.
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Head (of the top to the chin) : 1 head
bust (of the chin to the size) : 2 heads.
basin (of the size to the crotch) : 1 head.
Legs (of the crotch on the ground) : 4 heads.
Foots : 1/2 head.
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Ideal proportion between naked part and clothed part.
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For the explanation of the ideal proportions, we will use figurines of height of 8 heads by forgetting the feet.If we divide this number 8 by the gold figure 1.618 we obtain the 5/3 proportion.
The naked part of our body is opposed to the clothed part. This opposition create a visual relation. If this proportion respects the gold figure, it is harmonious.
In this sketch, the dress represents 5 heads (bust: 2 + basin: 1 + legs: 2) while the naked part represents 3 heads (head: 1 + legs: 2). the proportion of the 5/3 is thus respected. If the dress went down to the top from the calves, we would have a less becoming proportion of 6/2 less close to the gold figure.
If the dress went down to the top from the calves, we would have a less becoming proportion of 6/2 less close to the gold figure.
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Ideal proportion of clothing between them.
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In the following sketch, clothing represents 5 heads (bust: 2 + basin: 1 + legs: 2) while the naked part represents 3 heads (head: 1 + legs: 2).
The problem is to define the length of the jacket compared to the length of the skirt. If we divide this number 5 by the gold figure 1.618, we obtain 3/2 proportion.
The jacket is worth 3 heads (bust: 2 + basin: 1) and the skirt 2 heads (legs: 2). We thus respect the gold ciffer.
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Integrated silhouette.
If we equip the naked part - by sticking, trousers, make-up, hairstyle, ... - the opposition between the naked part and the clothed part disappears. Visual contrast is founded only on differences of colours or texture. It will be then the relation of clothing between them which will have to be taken into account to determine the most harmonious proportion. Here are some examples:
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dark hairstyle + dark dress: 5 heads
clear legs: 3 heads
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clear hairstyle + clear jacket: 5 heads
dark skirt + dark stick + dark shoes : 3 heads
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dark hairstyle + dark sweet: 3 heads
clear trousers + clear shoes: 5 heads
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clear hairstyle + clear sweet: 3 heads
dark skirt + dark boots : 5 heads
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The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
book
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
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![LAPSE MEMORY COLORS: Since shade wins. Since it is not mountain. Higher than the steps of memory lapse. Since it is necessary to learn. Failing to understand it. [Puisque tu pars - Jean-Jacques Goldman] Climb steps of memory lapse. Skirt in satin veil to the colors of memory lapse on a black blouse. Gabrielle Lys. July 10, 2008.](dessin_gabrielle_lys/medium/20080710_chanson.jpg "LAPSE MEMORY COLORS: Since shade wins. Since it is not mountain. Higher than the steps of memory lapse. Since it is necessary to learn. Failing to understand it. [Puisque tu pars - Jean-Jacques Goldman] Climb steps of memory lapse. Skirt in satin veil to the colors of memory lapse on a black blouse. Gabrielle Lys. July 10, 2008.")
LAPSE MEMORY COLORS:
"Since shade wins.
Since it is not mountain.
Higher than the steps of memory lapse.
Since it is necessary to learn.
Failing to understand it."
[Puisque tu pars - Jean-Jacques Goldman]
Climb steps of memory lapse. Skirt in satin veil to the colors of memory lapse on a black blouse. Gabrielle Lys. July 10, 2008.
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![THE MOVING MAN: A man who does not walk does not leave traces. [Georges Wolinski] In the London Underground, red dress for men is last-cry and the red the color of vestimentary revolution. Dress in velour with mountain boots and white perfecto in young cow. Gabrielle Lys October 2007.](dessin_gabrielle_lys/medium/20071020_homme_en_jupe_pour_homme_cheveux_robe.jpg "THE MOVING MAN: A man who does not walk does not leave traces. [Georges Wolinski] In the London Underground, red dress for men is last-cry and the red the color of vestimentary revolution. Dress in velour with mountain boots and white perfecto in young cow. Gabrielle Lys October 2007.")
THE MOVING MAN:
A man who does not walk does not leave traces.
[Georges Wolinski]
In the London Underground, red dress for men is last-cry and the red the color of vestimentary revolution. Dress in velour with mountain boots and white perfecto in young cow.
Gabrielle Lys October 2007.
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Last member
14/12/2019 - 10h21
Beatrix elizabeth Hyden
- Deloraine
- Tas -
Tas
Androgynous in mind. Male in nature. Female in appearance. What else... Mind the step!
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Last member
13/01/2021 - 18h19
Jean-françois Blanchard
- Sauvelade
- France -
J'ai toujours évolué dans un univers de travail exclusivement masculin : Le BTP.
En dehors de mon travail de directeur, j'ai toujours aimé porter des shorts en été, plutôt courts, et j'aime les vêtements plutôt androgyne ; en l'occurrence, j'aime beaucoup les vêtements féminins et autres jupes et robes de ces dames. Je peux dire qu'elles m'ont toujours donné l'envie de pouvoir les porter à mon tour. Elles sont pour moi source émancipation masculine !
J'ai une sensibilité plutôt féminine, j'aime autant le Rock que la poésie et la littérature...l'aventure, les rencontres, la photo, les gens !
J'ai aussi une tendance à contrecarrer toute discipline imposée, révolutionnaire depuis toujours contre les inégalités et les codes. Juste le fait que ce vêtement invite à la liberté m'impose d'y réfléchir et de m'inscrire dans un style qui réforme les choses convenues. J'aime que ma façon d'être et mon habillement suscite curiosité et quelque fois provocation !
Je découvre aujourd'hui - par plusieurs articles de presse de couturiers de la jupe, stylistes, et puis par votre blog et ...je vois que les quelques derniers posts un peu provoc sur facebook suscitent les réactions : Ah le foutu regard des autres !
Par contre, tout ce que je découvre - enfin - sur cet univers laissé en jachère depuis la Révolution Française n'est pas vraiment dans un style novateur : Tartans et kilts écossais, tenues "celtiques", etc, ou alors le noir "punk".
j'ai vraiment l'impression (mais je n'ai encore pas franchi le premier pas !) que si ce vêtement sortait de ces caricatures vieillottes (je n'ai pas dit moches !) alors le vieux fantômes du déguisement et du travestissement tiendrait encore longtemps la barre haute aux idées reçues.
J'ai dit en début d'année que je tenterai l'expérience et je le ferai...mais pas n'importe comment. Je prendrai soin de ne pas choquer, en tous cas j'essaierai. J'ai vraiment envie que l'expérience devienne une réalité "vivable" au quotidien. Mon nouveau travail (gérant d'un bar qui se voudrait le plus possible alternatif) va forcément m'aider dans ma démarche.
En tous cas, je suis content de vous avoir découvert...
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Heatherbawls Heatherbaw
- Heatherbaw
- Heatherbaw -
Heatherbaw
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![THE PHANTOM FACE: I don't know your face no more Or feel your touch that I adore It's just a place I'm looking for [We might as well be strangers - Keane] She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk. Gabrielle Lys. November 19th, 2008.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20081119_chanson_robe_18ieme.jpg "THE PHANTOM FACE: I don't know your face no more Or feel your touch that I adore It's just a place I'm looking for [We might as well be strangers - Keane] She wears on her white skin a dress in 3 thicknesses and a hat in translucent silk. Gabrielle Lys. November 19th, 2008.")
![ANGEL IN THE SKY : I've tried so hard To tell myself that you're gone And though your still with me I've been alone all along. [MY IMMORTAL - Evanescence] Crepe blouse with sleeves. Matching skirt with chiffon layers. Gabrielle Lys. May 29, 2010.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20100529-angel-in-the-sky-chanson.jpg "ANGEL IN THE SKY : I've tried so hard To tell myself that you're gone And though your still with me I've been alone all along. [MY IMMORTAL - Evanescence] Crepe blouse with sleeves. Matching skirt with chiffon layers. Gabrielle Lys. May 29, 2010.")
![LAPSE MEMORY COLORS: Since shade wins. Since it is not mountain. Higher than the steps of memory lapse. Since it is necessary to learn. Failing to understand it. [Puisque tu pars - Jean-Jacques Goldman] Climb steps of memory lapse. Skirt in satin veil to the colors of memory lapse on a black blouse. Gabrielle Lys. July 10, 2008.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20080710_chanson.jpg "LAPSE MEMORY COLORS: Since shade wins. Since it is not mountain. Higher than the steps of memory lapse. Since it is necessary to learn. Failing to understand it. [Puisque tu pars - Jean-Jacques Goldman] Climb steps of memory lapse. Skirt in satin veil to the colors of memory lapse on a black blouse. Gabrielle Lys. July 10, 2008.")
![THE MOVING MAN: A man who does not walk does not leave traces. [Georges Wolinski] In the London Underground, red dress for men is last-cry and the red the color of vestimentary revolution. Dress in velour with mountain boots and white perfecto in young cow. Gabrielle Lys October 2007.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20071020_homme_en_jupe_pour_homme_cheveux_robe.jpg "THE MOVING MAN: A man who does not walk does not leave traces. [Georges Wolinski] In the London Underground, red dress for men is last-cry and the red the color of vestimentary revolution. Dress in velour with mountain boots and white perfecto in young cow. Gabrielle Lys October 2007.")