DRESS OF HALLELUJAH: "Her beauty and the moonlight overthrew you. She broke your throne and she cut your hair. And from your lips she drew the hallelujah. Hallelujah, hallelujah, hallelujah..."
"She" wears the dress of the Alleluia. Dress in silk Jersey printed with the hand. Gabrielle Lys. April 9th 2008.
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RECOGNIZED BEING: "There is nothing to understand And that passes the intruder Who will be not able to await Because I am only to hear them silences and when I tremble Me, I am your different If we were not from here We would be the infinite one" [Tu es mon autre - Lara Fabian]
The recognized being wears thigh boots of Gabrielle Lys and a dress wallet out of wool with short sleeves and bordered in bottom by silk muslin of Saris. Gabrielle Lys November 13th, 2007.
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2006, the celtic culture erased by Christianity 2000 years ago reappears of its ashes in Northern Europe. The leather skirt from now on is worn by the majority of the men who honour their Celtic roots. Gabrielle Lys August 2006.
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THE DEPARTURE: "One leaves towards our other star, Before withdrawing oneself, one will forget those which do not understand. If all could be true. Nothing any more will arrive to us. Nothing any more will prevent us... " [Crash me - Indochine]
To join his star, he carries a distort fur coat on a black wool dress. Gabrielle Lys November 26th, 2007.
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Proportion of Skirt.
Introduction.
To put on a skirt for a man can require a long research in the stores. That also requires to know some rules on the proportions. According to the dictionary, the word proportion means: "harmonious report/ratio of the parts between them and with the unit".
Le
nombre d'or
en matière de proportion est 1.618. Ainsi si l'on divise une longueur de 100 cm par 1.618, on obtient deux segments: l'un mesure 61.8cm et l'autre mesure 38.2 cm. Cette proportion entre ces deux longueurs est considérée comme particulièrement esthétique.
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The wood mannequin makes it possible to study the positions of the human body.
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Ideal proportion of the human body.
It is considered that ideally, a man measures 7 times and half the height of his head.

A man measures 7 times and half the height of his head.
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Head (of the top to the chin) : 1 head
bust (of the chin to the size) : 2 heads.
basin (of the size to the crotch) : 1 head.
Legs (of the crotch on the ground) : 3 heads.
Foots : 1/2 head.
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Proportion of the human body in the fashion drawing.
For reasons of esthetics, the fashion drawing prefers longer figurines lengthened under the size.

In the fashion drawing, a man measures 8 times and half the height of his head.
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Head (of the top to the chin) : 1 head
bust (of the chin to the size) : 2 heads.
basin (of the size to the crotch) : 1 head.
Legs (of the crotch on the ground) : 4 heads.
Foots : 1/2 head.
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Ideal proportion between naked part and clothed part.
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For the explanation of the ideal proportions, we will use figurines of height of 8 heads by forgetting the feet.If we divide this number 8 by the gold figure 1.618 we obtain the 5/3 proportion.
The naked part of our body is opposed to the clothed part. This opposition create a visual relation. If this proportion respects the gold figure, it is harmonious.
In this sketch, the dress represents 5 heads (bust: 2 + basin: 1 + legs: 2) while the naked part represents 3 heads (head: 1 + legs: 2). the proportion of the 5/3 is thus respected. If the dress went down to the top from the calves, we would have a less becoming proportion of 6/2 less close to the gold figure.
If the dress went down to the top from the calves, we would have a less becoming proportion of 6/2 less close to the gold figure.
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Ideal proportion of clothing between them.
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In the following sketch, clothing represents 5 heads (bust: 2 + basin: 1 + legs: 2) while the naked part represents 3 heads (head: 1 + legs: 2).
The problem is to define the length of the jacket compared to the length of the skirt. If we divide this number 5 by the gold figure 1.618, we obtain 3/2 proportion.
The jacket is worth 3 heads (bust: 2 + basin: 1) and the skirt 2 heads (legs: 2). We thus respect the gold ciffer.
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Integrated silhouette.
If we equip the naked part - by sticking, trousers, make-up, hairstyle, ... - the opposition between the naked part and the clothed part disappears. Visual contrast is founded only on differences of colours or texture. It will be then the relation of clothing between them which will have to be taken into account to determine the most harmonious proportion. Here are some examples:
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dark hairstyle + dark dress: 5 heads
clear legs: 3 heads
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clear hairstyle + clear jacket: 5 heads
dark skirt + dark stick + dark shoes : 3 heads
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dark hairstyle + dark sweet: 3 heads
clear trousers + clear shoes: 5 heads
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clear hairstyle + clear sweet: 3 heads
dark skirt + dark boots : 5 heads
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The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
book
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.

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Total LOOK: Fabrics like feelings of mode, packed reliefs and spirit of the Eighties, tinted colors of vintage reflections ... Gabrielle Lys. August 2007.
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BRIAN MOLKO : "My sweet prince, You are the one. Me and my valuable friend, Can fix all the pain away. So before I end my day, Remember. My sweet prince,You are the one". [My sweet prince - Placebo] Bodysuit lace and wool coat. Gabrielle Lys. September 4, 2010.
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Last member
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Beatrix elizabeth Hyden
- Deloraine
- Tas -
Tas
Androgynous in mind. Male in nature. Female in appearance. What else... Mind the step!
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Jean-françois Blanchard
- Sauvelade
- France -
J'ai toujours évolué dans un univers de travail exclusivement masculin : Le BTP.
En dehors de mon travail de directeur, j'ai toujours aimé porter des shorts en été, plutôt courts, et j'aime les vêtements plutôt androgyne ; en l'occurrence, j'aime beaucoup les vêtements féminins et autres jupes et robes de ces dames. Je peux dire qu'elles m'ont toujours donné l'envie de pouvoir les porter à mon tour. Elles sont pour moi source émancipation masculine !
J'ai une sensibilité plutôt féminine, j'aime autant le Rock que la poésie et la littérature...l'aventure, les rencontres, la photo, les gens !
J'ai aussi une tendance à contrecarrer toute discipline imposée, révolutionnaire depuis toujours contre les inégalités et les codes. Juste le fait que ce vêtement invite à la liberté m'impose d'y réfléchir et de m'inscrire dans un style qui réforme les choses convenues. J'aime que ma façon d'être et mon habillement suscite curiosité et quelque fois provocation !
Je découvre aujourd'hui - par plusieurs articles de presse de couturiers de la jupe, stylistes, et puis par votre blog et ...je vois que les quelques derniers posts un peu provoc sur facebook suscitent les réactions : Ah le foutu regard des autres !
Par contre, tout ce que je découvre - enfin - sur cet univers laissé en jachère depuis la Révolution Française n'est pas vraiment dans un style novateur : Tartans et kilts écossais, tenues "celtiques", etc, ou alors le noir "punk".
j'ai vraiment l'impression (mais je n'ai encore pas franchi le premier pas !) que si ce vêtement sortait de ces caricatures vieillottes (je n'ai pas dit moches !) alors le vieux fantômes du déguisement et du travestissement tiendrait encore longtemps la barre haute aux idées reçues.
J'ai dit en début d'année que je tenterai l'expérience et je le ferai...mais pas n'importe comment. Je prendrai soin de ne pas choquer, en tous cas j'essaierai. J'ai vraiment envie que l'expérience devienne une réalité "vivable" au quotidien. Mon nouveau travail (gérant d'un bar qui se voudrait le plus possible alternatif) va forcément m'aider dans ma démarche.
En tous cas, je suis content de vous avoir découvert...
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Didier
- France -
- added 12/04/2018.
je porte des jupes et jupons des années 50/60 a la maison mais n'ose pas sortir habillé comme cela dans la rue
par contre je sort habillé en kilt écossais le plus souvent possible se qui ne me gêne pas car j'adore porter des jupes plissée et bien sur les kilts
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