First permanent station on Mars in 2030.
Prescribed uniform during operating hours:
black suit for women and red dress for men.
Gabrielle Lys. July 21, 2014.
THE RED SHAMAN:
In 2030, the shamanism and our older ancestral rites become the first source of spirituality in the world. The fashion makes a very broad echo of it as this mannequin which ravels equipped with only chamanic feathers and high heels boots.
Gabrielle Lys. Novembre 2th, 2008.
New York - Summer 2010. Jo walks his hyena in Central Park. The Kia, new synthetic semi matter, semi rubber carves skirts and boots in moving circles.
Gabrielle Lys. Special Cubism Collection. February 2007.
THE GREAT SECRET:
Homage to Indochine.
Set constituted of maroon changing silk of Saris and satin leather into superimposed layers.
Gabrielle Lys. August 24th, 2008.
To dare the skirt, it is to develop a beautiful interiority.
"If I differ from you, far from injuring you, I increase you." [ Saint-Exupéry ]
I found this very beautiful interview of Saverio Tomasella which I publish here with the agreement of the author. It can be useful to each one among you who write to me not to dare the skirt.
Interview of Saverio Tomasella. Psychoanalyst and author "to make peace with oneself" - (Eyrolles edition)
Which difficulties meet people who must assume a "difference"?
The fields of the differences is infinite. One can be too small, too large, too thin, too large. But also eccentric, marginal, night-bird, or to like to wear the skirt... From the point of view of the psychological mechanisms, one can say that the child who arrives at the world has a need inconcient to be recognized by his environment. Subjected to the social standards of a group (his family, his neighbors, the school), he will do everything unconsciously, to adhere to the values of this group.
What happen if a human being is discovered artist in a family where they hate that, or is manual in a intellectual family ?
he will not feel with the height of this request of harmonization and will live a conflict. From there, two scénarii are possible. Maybe, he meets a person (a grandmother, a friend, a teacher...) who carries it, which say to him "would be what you are". Then there, it is practically gained. In spite of the mockeries or comments, he will be able to be based on this word of the other. Maybe, he does not meet a support...
But what does it occur if, the most frequent case, he does not cross this support on his road?
A conflict between the ideal of the group and his reality (what he is able to bring) will settle in him. This conflict causes suffering. While growing, this faintness can evolve in two manners. Either it will push him to saying "Dash it!", to become a little rebellious or creative. we find a lot of people engaged in this category: trade unionists, artists, politicians. Maybe, he will induce a fold on oneself which can lead to despair or depression...
Are there common springs to the people who voluntarily choose a certain marginality?
We observe recurring diagrams. In closing families (rigid vestimentary, professional, of behavior codes), children feel with narrow, not recognized. Some will react by making a marginal choice. All rather than to conform to the family model. They will be tramp rather than insurance agent, travelling acrobat rather than doctor, or completely eccentric rather than assembled collet. It is a choice of survival which can save them and become an asset. But contrary, others turn over against them the cruelty of the system. Confronted with a devaluing language, they will become this least that nothing to not repudiate the system. The "difference" is then in the self-destruction or the negation of oneself. Painful.
Can Prear which process the difference become a richness?
In a general way, crossed of suffering, small or large, makes mature, makes more human. Different, I must face to mockeries, with the rejection, with the comments... My heart is obliged to be reinforced. I will more quickly become myself rather than on the others. It is a favorable ground to the emergence of a very beautiful interiority which, at the adulthood, will hatch. In the form of a particularly subtle way to like the life, or to like the others, or to approach work, the private life or to express an art; a many painters, singers, novelists result from this vein. It is very important to know that the difference is a chance. The pain which results from this makes it possible to better reach the bottom of its heart.
Which is the council to give to except standards people so that they live their marginality as well as possible?
Seek with deepest of you than there is of more human and express it humanly. The others will be humanized with your contact. Then the difference does not seem one obstacle any more. There is not difference that cannot be assumed and respected. Means of arriving there? That depends on the way of life but impossible to make this course alone. The human being needs another human being to structure himself. This other can be a friend, a love, a person of resource, a spiritual step. Or a therapeutist.
The five rules of an accomplished interiority:
1) To demolish glance of the others.
2) To give value to its own feelings ("what I feel, it is valid, even if it is not in conformity")
3) To transform its resentments into personal thoughts (if I smell myself badly, to manage to express it in "I" rather than to leave himself with "my colleague is bitch")
4) To touch his own loneliness ("I cannot be well with the others if I do not accept my loneliness")
5) To enter into contact with different people ("more I riches my pallet, more I accept my difference")
The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without handles matched on a shirt with short handles.
Gabrielle Lys. September 2007.
THE MOVING MAN:
A man who does not walk does not leave traces.
In the London Underground, red dress for men is last-cry and the red the color of vestimentary revolution. Dress in velour with mountain boots and white perfecto in young cow.
Gabrielle Lys October 2007.
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14/12/2019 - 10h21
Beatrix elizabeth Hyden
- Tas -
Androgynous in mind. Male in nature. Female in appearance. What else... Mind the step!
21/04/2020 - 21h18
- France -
Il m'est difficile d'écrire une description de moi.
En avril 2018, agacé de voir la majorité des femmes en pantalon, je me suis dit "pourquoi ne porterais-pas la jupe". Idée qui aurait du me venir à l'esprit beaucoup plus tôt.
Au cours de mes recherches, je suis arrivé à une page du Sénat relative à l'abrogation de l'interdiction du port du pantalon pour les femmes par ordonnance du préfet de police Dubois le 16 brumaire de l'An IX.
Alors comme les femmes sont égales aux hommes depuis la constitution et ont le droit de porter le pantalon (pas parce qu’elles sont femmes comme j’ai toujours pensé et comme m’a dit une fois une jeune fille de gens de voyage), les hommes sont aussi égaux aux femmes et ont les mêmes droits vestimentaires.
C’est ainsi que j’ai décidé de porter la jupe (au féminin pour la variété).
J'ai toujours pensé que le port du pantalon était imposé aux hommes alors que les femmes pouvaient se permettre de se vêtir comme elles en avaient envie.
Pas question pour moi de porter à nouveau un pantalon ou un short sauf nécessité. J'adapte si nécessaire en fonction de mon activité.
Last msg of GuestBook :
- France -
- added 12/04/2018.
je porte des jupes et jupons des années 50/60 a la maison mais n'ose pas sortir habillé comme cela dans la rue
par contre je sort habillé en kilt écossais le plus souvent possible se qui ne me gêne pas car j'adore porter des jupes plissée et bien sur les kilts
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