THE GANGSTER:
With his Borsalino, one could have believed in Al Capone but he wears a skirt in silk muslin on boots out of leather. We are in New York, Winter 2007. The shouldered jacket is in black woollen article.
Gabrielle Lys October 2007.
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SOPHISTICAL ANDROGYNE:
His dress tells how to wake up with art, freedom, to be oneself. It expresses the primitive power of clothing and the identity.
Superposition dared of a wool dress on lace underskirt with boots and collar of Fluo Pop color.
Gabrielle Lys. February 1, 2008.
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![SELF-PORTRAIT : Winter's cityside, Crystal bits of snowflakes, All around my head and in the wind, I had no illusions. That I'd ever find a glimpse Of summer's heatwaves in your eyes You did what you did to me, Now it's history I see, Here's my comeback on the road again. [Big In Japan - Alphaville] Gabrielle Lys. February 6, 2011.](dessin_gabrielle_lys/medium/20110207-made-in-japan-chanson.jpg "SELF-PORTRAIT : Winter's cityside, Crystal bits of snowflakes, All around my head and in the wind, I had no illusions. That I'd ever find a glimpse Of summer's heatwaves in your eyes You did what you did to me, Now it's history I see, Here's my comeback on the road again. [Big In Japan - Alphaville] Gabrielle Lys. February 6, 2011.")
SELF-PORTRAIT :
"Winter's cityside,
Crystal bits of snowflakes,
All around my head and in the wind,
I had no illusions.
That I'd ever find a glimpse
Of summer's heatwaves in your eyes
You did what you did to me,
Now it's history I see,
Here's my comeback on the road again."
[Big In Japan - Alphaville]
Gabrielle Lys. February 6, 2011.
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The Wizard :
And the man out of skirt says : "speaks us about us". And the Wizard answered: "To marry the suffering of the others, to see the color of the hearts, to read the Karma of the men, to feel the trees and communier with the earth mother, you, me and some others pay with our sensitivity this difficult gift. But in this world of money, profit and machines, we are the last Shamans and much men envie our freedom to be." Tease coat and skirt color of incantations. High leather boots. Gabrielle Lys April 2006.
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Our clothes speak about us...
Introduction.
Clothing speaks about the image of oneself, of the report to the other, more or less conscious desires, personal history, emotions (shame, nostalgia...) To the border of the close friend and social world, it carries a message to oneself and others. It forms part of us and at the same time, belongs outside.
Stroke of freedom.
The manner of getting dressed indicates the margin of freedom of the individual compared to his family, but also his pars, his social relations. Clothing follows the construction of oneself, reveals the report with his image. It shows the failures or the narcissistic successes.
Love and friendship.
The dress also lends itself to the play of seduction within the couple and in friendship. One exchanges feelings by the way of the clothing. Without forgetting the clothes related to the memory of such or such close relation.
An influence on the wellbeing.
To be rebuilt, when one feels depressed, badly in his skin, the dress can help to be present in the glance of the others, to be object of desire of another. From where the desire sometimes to want to stick to an image of fashion magazine. By acquiring a clothing close to this image, one is identified with the object of desire of another, feeling by there, desirable for others and especially for oneself. Clothing helps to build the space of daydream necessary to the rebuilding of oneself, always renewed.
Continuity with the past.
With each stage of the life, one projects in clothing something of private individual: love, social, friendly stakes... The dress supports a continuity with the past. It evokes old relations. It speaks about our past body.
Bibliography:
"Déshabillez-moi. Psychanalyse des comportements vestimentaires".
Catherine Joubert et Sarah Stern. Hachette, 2005.
![WIZARD: It is said to me that today, it is said to me that the others make thus. I am not the different ones. I will seek your heart in the cold, in the flames. I will throw you fates so that you still like me. Magic formulas of the marabouts of Africa. I will say them without remorse so that you still like me. [Pour que tu m'aimes encore - Céline Dion] The wizard wears a leather dress girdled to the size. He wears black mittens and boots. His braided hair encloses the chamanic feathers of the initiatory rite. Gabrielle Lys November 2007.](dessin_gabrielle_lys/verybig/20071104_homme_en_jupe_pour_homme_chaman_crayon_chanson.jpg)
WIZARD:
It is said to me that today, it is said to me that the others make thus.
I am not the different ones.
I will seek your heart in the cold, in the flames.
I will throw you fates so that you still like me.
Magic formulas of the marabouts of Africa.
I will say them without remorse so that you still like me.
[Pour que tu m'aimes encore - Céline Dion]
The wizard wears a leather dress girdled to the size. He wears black mittens and boots. His braided hair encloses the chamanic feathers of the initiatory rite.
Gabrielle Lys November 2007.
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The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
book
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
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SHAMAN FEATHER:
Year 2013. The Shaman wears a dress representing his female-spiritual. He carries the red feather, symbol of his authority in the community.
Gabrielle Lys October 2007.
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![NATH-SAKURA: Mysterious passage. Strange place where we can be when, freed of the contingencies of our sex, we rise over the constraints of a pitifully bipolar world. [Nath-Sakura] Nothing is given to us once for all. Nothing is inevitable. We do not have either to undergo or to make undergo what we are. The role of transgenres consists in showing that there are passages, between the sexes, between the identities, between the existences. [...] We are boatmen, at the same moment smuggled and resistant girls of the shade. [Nath-Sakura, Dualities, LP Editions, 2006] Tribute to Nath-Sakura Gabrielle Lys December 23rd, 2007.](dessin_gabrielle_lys/medium/20071223_crayon.jpg "NATH-SAKURA: Mysterious passage. Strange place where we can be when, freed of the contingencies of our sex, we rise over the constraints of a pitifully bipolar world. [Nath-Sakura] Nothing is given to us once for all. Nothing is inevitable. We do not have either to undergo or to make undergo what we are. The role of transgenres consists in showing that there are passages, between the sexes, between the identities, between the existences. [...] We are boatmen, at the same moment smuggled and resistant girls of the shade. [Nath-Sakura, Dualities, LP Editions, 2006] Tribute to Nath-Sakura Gabrielle Lys December 23rd, 2007.")
NATH-SAKURA:
"Mysterious passage. Strange place where we can be when, freed of the contingencies of our sex, we rise over the constraints of a pitifully bipolar world." [Nath-Sakura]
"Nothing is given to us once for all. Nothing is inevitable. We do not have either to undergo or to make undergo what we are. The role of transgenres consists in showing that there are passages, between the sexes, between the identities, between the existences. [...] We are boatmen, at the same moment smuggled and resistant girls of the shade." [Nath-Sakura, "Dualities", LP Editions, 2006]
Tribute to Nath-Sakura
Gabrielle Lys
December 23rd, 2007.
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Beatrix elizabeth Hyden
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Androgynous in mind. Male in nature. Female in appearance. What else... Mind the step!
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Jean-françois Blanchard
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J'ai toujours évolué dans un univers de travail exclusivement masculin : Le BTP.
En dehors de mon travail de directeur, j'ai toujours aimé porter des shorts en été, plutôt courts, et j'aime les vêtements plutôt androgyne ; en l'occurrence, j'aime beaucoup les vêtements féminins et autres jupes et robes de ces dames. Je peux dire qu'elles m'ont toujours donné l'envie de pouvoir les porter à mon tour. Elles sont pour moi source émancipation masculine !
J'ai une sensibilité plutôt féminine, j'aime autant le Rock que la poésie et la littérature...l'aventure, les rencontres, la photo, les gens !
J'ai aussi une tendance à contrecarrer toute discipline imposée, révolutionnaire depuis toujours contre les inégalités et les codes. Juste le fait que ce vêtement invite à la liberté m'impose d'y réfléchir et de m'inscrire dans un style qui réforme les choses convenues. J'aime que ma façon d'être et mon habillement suscite curiosité et quelque fois provocation !
Je découvre aujourd'hui - par plusieurs articles de presse de couturiers de la jupe, stylistes, et puis par votre blog et ...je vois que les quelques derniers posts un peu provoc sur facebook suscitent les réactions : Ah le foutu regard des autres !
Par contre, tout ce que je découvre - enfin - sur cet univers laissé en jachère depuis la Révolution Française n'est pas vraiment dans un style novateur : Tartans et kilts écossais, tenues "celtiques", etc, ou alors le noir "punk".
j'ai vraiment l'impression (mais je n'ai encore pas franchi le premier pas !) que si ce vêtement sortait de ces caricatures vieillottes (je n'ai pas dit moches !) alors le vieux fantômes du déguisement et du travestissement tiendrait encore longtemps la barre haute aux idées reçues.
J'ai dit en début d'année que je tenterai l'expérience et je le ferai...mais pas n'importe comment. Je prendrai soin de ne pas choquer, en tous cas j'essaierai. J'ai vraiment envie que l'expérience devienne une réalité "vivable" au quotidien. Mon nouveau travail (gérant d'un bar qui se voudrait le plus possible alternatif) va forcément m'aider dans ma démarche.
En tous cas, je suis content de vous avoir découvert...
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![SELF-PORTRAIT : Winter's cityside, Crystal bits of snowflakes, All around my head and in the wind, I had no illusions. That I'd ever find a glimpse Of summer's heatwaves in your eyes You did what you did to me, Now it's history I see, Here's my comeback on the road again. [Big In Japan - Alphaville] Gabrielle Lys. February 6, 2011.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20110207-made-in-japan-chanson.jpg "SELF-PORTRAIT : Winter's cityside, Crystal bits of snowflakes, All around my head and in the wind, I had no illusions. That I'd ever find a glimpse Of summer's heatwaves in your eyes You did what you did to me, Now it's history I see, Here's my comeback on the road again. [Big In Japan - Alphaville] Gabrielle Lys. February 6, 2011.")
![NATH-SAKURA: Mysterious passage. Strange place where we can be when, freed of the contingencies of our sex, we rise over the constraints of a pitifully bipolar world. [Nath-Sakura] Nothing is given to us once for all. Nothing is inevitable. We do not have either to undergo or to make undergo what we are. The role of transgenres consists in showing that there are passages, between the sexes, between the identities, between the existences. [...] We are boatmen, at the same moment smuggled and resistant girls of the shade. [Nath-Sakura, Dualities, LP Editions, 2006] Tribute to Nath-Sakura Gabrielle Lys December 23rd, 2007.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20071223_crayon.jpg "NATH-SAKURA: Mysterious passage. Strange place where we can be when, freed of the contingencies of our sex, we rise over the constraints of a pitifully bipolar world. [Nath-Sakura] Nothing is given to us once for all. Nothing is inevitable. We do not have either to undergo or to make undergo what we are. The role of transgenres consists in showing that there are passages, between the sexes, between the identities, between the existences. [...] We are boatmen, at the same moment smuggled and resistant girls of the shade. [Nath-Sakura, Dualities, LP Editions, 2006] Tribute to Nath-Sakura Gabrielle Lys December 23rd, 2007.")