"It is your attitude, not aptitude, that determines your altitude."
[Zig Ziglar]

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Psychology:
  Not easy being a boy
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  To dare the Skirt
  Our clothes speak to us
  Reflexions about the Skirt

Fashion Articles:
  Tee-Shirt
  Gothic culture
  The Golden Mean
  Proportion of Skirt
  Skirt's councils
  Skirt's lexicon
  Boot's lexicon
  Androgyny and Fashion

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The Warrior of the Light: Skirt out of velvet, sweet, girdles out of leather, collar  Gabrielle Lys, boots out of deer. Gabrielle Lys 2005.
The Warrior of the Light: Skirt out of velvet, sweet, girdles out of leather, collar Gabrielle Lys, boots out of deer. Gabrielle Lys 2005.

BODY MY HOUSE: Body my house my horse my hound what will I do when you are fallen  Where will I sleep How will I ride What will I hunt When Body my good bright dog is dead  How will it be to lie in the sky without roof or door and wind for an eye  With cloud for shift how will I hide ?  [Question - May Swenson]  To be beautiful, it is also to take care of its body. He dyed his hair of wicks matched with his neo-gothic dress and wears boots with platform soles. Gabrielle Lys. December 25th, 2008.
BODY MY HOUSE:
"Body my house
my horse my hound
what will I do
when you are fallen

Where will I sleep
How will I ride
What will I hunt
When Body my good
bright dog is dead

How will it be
to lie in the sky
without roof or door
and wind for an eye

With cloud for shift
how will I hide ?"

["Question" - May Swenson]

To be beautiful, it is also to take care of its body. He dyed his hair of wicks matched with his neo-gothic dress and wears boots with platform soles.
Gabrielle Lys. December 25th, 2008.


THE CREATOR: The creator is afraid to die before to have very given of him. However he keeps the faith. To create is to change reality by a more beautiful reality. Then he becomes for a fraction of time the equal one to God. long Dress with broad cap. Gabrielle Lys. September 2007.
THE CREATOR:
The creator is afraid to die before to have very given of him. However he keeps the faith. To create is to change reality by a more beautiful reality. Then he becomes for a fraction of time the equal one to God. long Dress with broad cap.
Gabrielle Lys. September 2007.


IMPACT POINT: The Prince wears a double face spencer in woollen, a corset in taffeta metal, a dress in velour with floors of lace and the boots of Mars. Gabrielle Lys October 2007.
IMPACT POINT:
The Prince wears a double face spencer in woollen, a corset in taffeta metal, a dress in velour with floors of lace and the boots of Mars.
Gabrielle Lys October 2007.



Our clothes speak about us...

Introduction.

dot  Clothing speaks about the image of oneself, of the report to the other, more or less conscious desires, personal history, emotions (shame, nostalgia...) To the border of the close friend and social world, it carries a message to oneself and others. It forms part of us and at the same time, belongs outside.

Stroke of freedom.

dot  The manner of getting dressed indicates the margin of freedom of the individual compared to his family, but also his pars, his social relations. Clothing follows the construction of oneself, reveals the report with his image. It shows the failures or the narcissistic successes.

Love and friendship.

dot  The dress also lends itself to the play of seduction within the couple and in friendship. One exchanges feelings by the way of the clothing. Without forgetting the clothes related to the memory of such or such close relation.

An influence on the wellbeing.

dot  To be rebuilt, when one feels depressed, badly in his skin, the dress can help to be present in the glance of the others, to be object of desire of another. From where the desire sometimes to want to stick to an image of fashion magazine. By acquiring a clothing close to this image, one is identified with the object of desire of another, feeling by there, desirable for others and especially for oneself. Clothing helps to build the space of daydream necessary to the rebuilding of oneself, always renewed.

Continuity with the past.

dot  With each stage of the life, one projects in clothing something of private individual: love, social, friendly stakes... The dress supports a continuity with the past. It evokes old relations. It speaks about our past body.
Gabrielle Lys
Bibliography:
"Déshabillez-moi. Psychanalyse des comportements vestimentaires".
Catherine Joubert et Sarah Stern. Hachette, 2005.


THE CORSAIR: With the corsairs, there was not only the sea which was blue.... Pirate with raincoat in thick fabric and double skirt in crepe color blue king. Gabrielle Lys. Marsh 12, 2008.
THE CORSAIR:
With the corsairs, there was not only the sea which was blue.... Pirate with raincoat in thick fabric and double skirt in crepe color blue king.
Gabrielle Lys. Marsh 12, 2008.



The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Lys

THE SHAMAN: The Shaman pronounces the mantra thiru neela kantam. He wear the blue color, color of kindness and the positive one. Formal dress and crowned chamanic feathers. Gabrielle Lys. May 18, 2008.
THE SHAMAN:
The Shaman pronounces the mantra "thiru neela kantam". He wear the blue color, color of kindness and the positive one. Formal dress and crowned chamanic feathers.
Gabrielle Lys.
May 18, 2008.


THE LUNAR BOY: I asked to the Moon. And the sun does not know it. I showed him my burns. And the Moon made fun of me. [Jai demand  la lune - Indochine]  To join the Moon, he wears a dress Gabrielle Lys of the collection spring-summer 2009. Gabrielle Lys. November 20th, 2008.
THE LUNAR BOY:
"I asked to the Moon.
And the sun does not know it.
I showed him my burns.
And the Moon made fun of me.
[Jai demand la lune - Indochine]

To join the Moon, he wears a dress Gabrielle Lys of the collection spring-summer 2009.
Gabrielle Lys. November 20th, 2008.


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Last member
20/02/2012 - 17h35
Pauline
- L'hay les roses - France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par l’actrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, c’est la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel…». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans l’art de cette coiffure qui fut renommer la coupe à la garçonne.
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Last member
17/07/2017 - 08h03
Patrick Lefetz
- Verdun - France -
Je porte les jupes Hyatus depuis 3 ans, pour le sport et la ville.
Autour dr moi, les femmes y sont favorables et certains hommes sont prés à oser le port de la jupe

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Last msg of GuestBook :
Jean - Lyon - France - - added 08/02/2016.
Bravo pour ce magnifique site
Dommage que les articles sur la jupe se fassent rares.
Je me suis mis à porter la jupe de temps en temps depuis un an. Au début difficile de s'aventurer en ville tant la crainte des regards est grande. Mais en fait, cela passe assez bien. Cependant, j'ai l'impression d'être bien seul et j'aimerais bien que d'autres osent et que ce vêtement puisse ainsi être porté plus facilement.
Je précise que je suis un jeune senior et c'est par plaisir que je porte la jupe. Liberté de mouvement, originalité, confort.
Espérant que tout cela évolue vite...


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