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Psychology:
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  Reflexions about the Skirt

Fashion Articles:
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  Skirt's lexicon
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The Warrior of the Light: Skirt out of velvet, sweet, girdles out of leather, collar  Gabrielle Lys, boots out of deer. Gabrielle Lys 2005.
The Warrior of the Light: Skirt out of velvet, sweet, girdles out of leather, collar Gabrielle Lys, boots out of deer. Gabrielle Lys 2005.

Red Hair: Young man with red hair in a Gothic party of PILGRIMAGE at Brussels... Coat in the Old Empire style. Gabrielle Lys. July 2007.
Red Hair:
Young man with red hair in a Gothic party of PILGRIMAGE at Brussels... Coat in the Old Empire style.
Gabrielle Lys. July 2007.


DRESS OF HOPE:  They say that elsewhere, this is not better than here. Elsewhere, there are no more paradise. They say that elsewhere, there are no more nothing to see [C'est mon baeau - Jo Lemaire]  To leave, he wears a satin dress inspired of the style second empire. Gabrielle Lys. July 9, 2008.
DRESS OF HOPE:

"They say that elsewhere,
this is not better than here.
Elsewhere, there are no more paradise.
They say that elsewhere,
there are no more nothing to see"
[C'est mon baeau - Jo Lemaire]

To leave, he wears a satin dress inspired of the style second empire.
Gabrielle Lys. July 9, 2008.


NATH-SAKURA: Mysterious passage. Strange place where we can be when, freed of the contingencies of our sex, we rise over the constraints of a pitifully bipolar world. [Nath-Sakura]   Nothing is given to us once for all. Nothing is inevitable. We do not have either to undergo or to make undergo what we are. The role of transgenres consists in showing that there are passages, between the sexes, between the identities, between the existences. [...] We are boatmen, at the same moment smuggled and resistant girls of the shade. [Nath-Sakura, Dualities, LP Editions, 2006]  Tribute to Nath-Sakura Gabrielle Lys December 23rd, 2007.
NATH-SAKURA:
"Mysterious passage. Strange place where we can be when, freed of the contingencies of our sex, we rise over the constraints of a pitifully bipolar world." [Nath-Sakura]

"Nothing is given to us once for all. Nothing is inevitable. We do not have either to undergo or to make undergo what we are. The role of transgenres consists in showing that there are passages, between the sexes, between the identities, between the existences. [...] We are boatmen, at the same moment smuggled and resistant girls of the shade." [Nath-Sakura, "Dualities", LP Editions, 2006]

Tribute to Nath-Sakura
Gabrielle Lys
December 23rd, 2007.



Lexicon of the Skirts.

dot  A Skirt is not only short or long. This clothing offers an infinity of possibilities in the forms: from full to narrow. To help you to make the good choice, here you will find a small lesson of skirted vocabulary.
Gabrielle Lys
The bell skirt (1) Forms based on a cut in half-circle, marrying the hips, formatted and widening to the hem thanks to a set of panels and cups.  The wrap-around Skirt (2) Skirt that one rolls up around oneself, made of two ends which are superimposed and stick on the side. This model was in the fashion collection of the Seventies.
The bell skirt (1)
Forms based on a cut in half-circle, marrying the hips, formatted and widening to the hem thanks to a set of panels and cups.

The wrap-around Skirt (2)
Skirt that one rolls up around oneself, made of two ends which are superimposed and stick on the side. This model was in the fashion collection of the Seventies.
The corole Skirt (3) Very loose and typical Skirt of the fifties, made up of a complete fabric circle.  The pencil Skirt (4) Very narrow straight skirt, often cut out right under the knee.
The corole Skirt (3)
Very loose and typical Skirt of the fifties, made up of a complete fabric circle.

The pencil Skirt (4)
Very narrow straight skirt, often cut out right under the knee.
The pleated sun Skirt (5) Loose skirt. Shape in range. Movement are given by a system of small folds marked in fabric.  The pleated Skirt (6) Skirt whose width is controlled by folds. According to their width and their form, the aspect of the skirt will be different. The folds can be opened, passed by again or released.
The pleated sun Skirt (5)
Loose skirt. Shape in range. Movement are given by a system of small folds marked in fabric.

The pleated Skirt (6)
Skirt whose width is controlled by folds. According to their width and their form, the aspect of the skirt will be different. The folds can be opened, passed by again or released.
The Trendy Skirt (7) Long extra bloomers-skirt out of cotton.
The Trendy Skirt (7)
Long extra bloomers-skirt out of cotton.
The Retro Skirt (8) wholesale Skirt. Flying velvets in bottom.
The Retro Skirt (8)
wholesale Skirt. Flying velvets in bottom.
The British Skirt (9) In red tweed. Low size skirt to carry with a belt.
The British Skirt (9)
In red tweed. Low size skirt to carry with a belt.
The Indian Skirt (10) In natural deer.
The Indian Skirt (10)
In natural deer.
The Parisian skirt (11) Asymmetrical wrap-around skirt in prince of Wales and jean fabric.
The Parisian skirt (11)
Asymmetrical wrap-around skirt in prince of Wales and jean fabric.
The micro Skirt (12) Velvet Skirt.
The micro Skirt (12)
Velvet Skirt.
The schoolgirl Skirt (13) black jean Skirt.
The schoolgirl Skirt (13)
black jean Skirt.
The soft Skirt (14) Tweed Skirt.
The soft Skirt (14)
Tweed Skirt.
The tube Skirt tube (15) As the border between the straight-cut trousers and skirt, the tube skirt ensures a perfect balance between chic and originality.
The tube Skirt tube (15)
As the border between the straight-cut trousers and skirt, the tube skirt ensures a perfect balance between chic and originality.

The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Lys

SOPHISTICAL ANDROGYNE: His dress tells how to wake up with art, freedom, to be oneself. It expresses the primitive power of clothing and the identity.  Superposition dared of a wool dress on lace underskirt with boots and collar of Fluo Pop color.  Gabrielle Lys. February 1, 2008.
SOPHISTICAL ANDROGYNE:
His dress tells how to wake up with art, freedom, to be oneself. It expresses the primitive power of clothing and the identity.

Superposition dared of a wool dress on lace underskirt with boots and collar of Fluo Pop color.

Gabrielle Lys. February 1, 2008.


The man in red: fushia boots and girdles out of deer, black leggings dim-up, red skirt adit by pull knobs, matched tee-shirt and wind-breaker. Fushia eye shadow. Gabrielle Lys 2005.
The man in red: fushia boots and girdles out of deer, black leggings dim-up, red skirt adit by pull knobs, matched tee-shirt and wind-breaker. Fushia eye shadow. Gabrielle Lys 2005.

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Ana Duarte
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Gabrielle un vrai ange ! Bisous ma belle et continue à transmettre tous tes aventures, t'es quelqu'un de rare et exceptionnelle !
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j'aime bien porter des jupes et jupons des année 50/60 de plus je porte le kilt ecossais tous les jours
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