AND ME I DANCE
"It is as a light
Which slips into the black
It is already the border
The end of the corridor
And me I dance
I lost the memory"
[It is always a mystery - Pierre Rapsat]
Dress with great width worked in small superimposed wheels. Adjusted and round cut off blouse.
Gabrielle Lys. February 3, 2008.
THE LUNAR BOY:
"I asked to the Moon.
And the sun does not know it.
I showed him my burns.
And the Moon made fun of me.
[Jai demandé à la lune - Indochine]
To join the Moon, he wears a dress Gabrielle Lys of the collection spring-summer 2009.
Gabrielle Lys. November 20th, 2008.
In 2012, the blue hair makes fury in the male fashion. The student wears a sweat with asymmetrical collar, a scarf and a miniskirt. Theses clothes are in large mesh. He has high leather boots. Gabrielle Lys Marsh 2006.
It is said to me that today, it is said to me that the others make thus.
I am not the different ones.
I will seek your heart in the cold, in the flames.
I will throw you fates so that you still like me.
Magic formulas of the marabouts of Africa.
I will say them without remorse so that you still like me.
[Pour que tu m'aimes encore - Céline Dion]
The wizard wears a leather dress girdled to the size. He wears black mittens and boots. His braided hair encloses the chamanic feathers of the initiatory rite.
Gabrielle Lys November 2007.
- What is necessary to make? known as the Small Prince.
- It is necessary to be very patient, answered the Fox.
You will sit down yourself initially a little far from me, like that, in grass.
I will look at you corner of the eye and you will say nothing.
The language causes misunderstanding.
But, each day, you will be able to sit down a little more close...
[Antoine de Saint Exupéry]
Men in Skirt
Current in the past, (remember the Greek tunic to the warlike little skirt of the Roman soldier), the skirt is today still the attribute of men in a lot of countries, and sometimes even their exclusiveness : Pakistani shalwar kamiz ,North-African caftan or Scottish kilt... On the history of the 2500 year old humanity, there is less than 250 years in Europe, the man still wore skirts tunics or kilt.
However, the centuries saw the women borrowing little by little all the elements of male garde-robe, to start with the hat, at the 16th century, while passing by the jackets of man at the 18th century (for hunting, horsemanship), to finish by
, so revolutionary, at the beginning of the 20th century.
Our modern society
since two centuries, our modern society has put acccent on the side output, effectiveness and action of the man. With the time of industrialization, the men, considered as machines, were to be useful and profitable. Consequently, any "decorative" clothing in opposition to functional was banished from male guard wraps. Thus was born the trousers such as we know it since 1820. Much more practical to work in the factories of mass production. With the skirt, low-sticking but also gradually jewels and hats disappeared.
The woman, more expansive, continued to discover other clothing and other styles, to dress herself according to its personality or its mood. This becomes with the wire of time, a right for her. But this freedom was always connected with the concern of taking care of harmonizing colors, clothing and silhouette well to build a harmonious image.
Our modern society has an annoying tendency to all to catalogue, all to label, all to divide: one is of left or one is of right-hand side. One is for or one is against. One is man or one is woman. And for obvious reasons of profitability in the marketing and mass production, clothing was divided into two categories: men shops and woman shops.
Victim of 2 centuries of taboos, the man's guard wraps was reduced with an strict panoply, keeping only the necessary one to its work to completely forsake the Skirt, clothing with more contemplative dimension, where the female connotation could make fear that his sex and can be especially his sexual orientation are called in question.
The liberalization of the woman (symbolized by her
conquest of the trousers
) obliges us to take part in this evolution which goes in the direction of a meeting, an alliance between our conscious dimension and our unconscious dimension. Thus the Men out of Skirt appeared.
Men in Skirt.
Sometimes, the warrior of the Light has the impression to live two lives in parallel. In one, he is obliged to do all that he does not want, to fight for ideas in which he does not believe. But there is another life, and he discovers it in his dreams, his readings, his meetings with beings which think like him. The warrior allows his two lives to approach. "There is a bridge which connects what I make and what I will like to do" he thinks. Little by little, his dreams invade its routine, until the moment he feels ready for what he always wished. Then, it is enough to a little audacity, and the two lives do nothing any more but one (extracted from "Handbook of the Warrior of the Light". Paulo Coelho)
Although undergoing a psychological insulation, we are some in Belgium and to elsewhere dare to leave in skirt in the street. We cannot justify our acts by the claim on a practical side (whereas it was the principal reason for
womens out of trousers
). It is however better to support heat. What motivates us: the different feelings from those of the trousers, the pleasure of the change, the research of entirety to be it.
If these explorations can make scandal today, it is because it do not have any utility (the practical side is reduced) and because it terribly call into question the image of the Man, taboo subject. Not, the Man is not this carapace which the costume illustrates so well (substitute of industrial times to the armour), he can be sensitive, sensual. This sensuality can relate to other fields that those, agreed, like good wine or expensive food. The man has a body and he has the right to show it in a context other than sporting (which context is reassuring because his power does not call) or estival.
We want not to drive back any more what a traditional education regards being as specifically female. We know that in the past (Antiquity, the Average Age or the modern time), our similar got dressed with skirts or dresses (and sticking). Inserted in a consumer society increasingly more demanding, we want to live fully in a comfortable and elegant dress, adapted to our morphology without calling into question our male condition. we refuse the monolithic male image conveyed since the appearance of the industrial society. We suffer from one miss vestimentary freedom, of a lack of recognition in our sensitivity. We suffer from one miss vestimentary freedom, of a lack of recognition in our sensitivity.
The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
The fallen angel of God. Skirt with belt with the figures of Satan. The wings are transformed into a cape of veil with scintillating brilliances. Gothic Party of PilGrimage in Brussels
Gabrielle Lys August 2007.
Gabrielle Lys. June 24, 2008.
Last statistics :
128 visits today
83 visits today
45 visits today
6726 visits by day max
20/02/2012 - 17h35
- L'hay les roses
- France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par lactrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, cest la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel
». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans lart de cette coiffure qui fut renommer la coupe à la garçonne.
01/04/2017 - 01h29
- Colombia -
Lo mas adecuado, cÃ³modo, decente, y saludable para vestirse un hombre es una falda; o un vestido con falda.
Esta es mi mejor justificasion para volver a usar las faldas.
El pantalÃ³n fue utilizado para discriminar, y humillar a la mujer; (es la prenda mas exhibicionista y sexista que se haya utilizado; y en especial para el varon, pues la anatomÃa de la mujer es diferente, y un pantalÃ³n en la mujer no es tan INSINUANTE, ni tan exhibicionista como en el hombre. Lo mas decente, cÃ³modo, y SALUDABLE para vestirse un varon es una falda o un vestido con falda.
Por tradiciÃ³n los hombres desde siempre se habÃan vestido con faldas, solo hace 300 aÃ±os que los obligaron a usar pantalÃ³n.
El pantalÃ³n es la prenda menos adecuada para un hombre; el calzoncillo bÃ³xer, hace las veces de fÃ©rula en los genitales, (propiciando mal funcionamiento, y discapacidades), la costura central del pantalÃ³n maltrata, magulla e incomoda todo el tiempo los genitales; la correa o cinturÃ³n hace las veces de torniquete, y obliga al corazÃ³n a bombear la sangre con mayor esfuerzo, (para vencer la contracciÃ³n que hace el torniquete), y por mala irrigacion sanguÃnea afecta: el aparato digestivo, el sistema urinario, el aparato reproductor. Ademas con el uso del pantalÃ³n el hombre ha terminado orinando de pie lo cual es totalmente antinatural. Las Faldas y los vestidos con faldas para los hombres son suprema-mente SALUDABLES, CÃMODOS Y CONFORTABLES. El pantalÃ³n, el calzoncillo ajustado, la costura central del pantalÃ³n, y la correa o cinturÃ³n, estÃ¡n promoviendo las enfermedades modernas de los hombres: IMPOTENCIA, ESTERILIDAD, PROBLEMAS DE LA PRÃSTATA Y POSIBLEMENTE CÃNCER DEL TESTÃCULO.
Ninguna parte del cuerpo del varon se maltrata mas que los genitales.
Por salud y comodidad mejor usar FALDAS O VESTIDOS CON FALDA
Last msg of GuestBook :
- France -
- added 08/02/2016.
Bravo pour ce magnifique site
Dommage que les articles sur la jupe se fassent rares.
Je me suis mis à porter la jupe de temps en temps depuis un an. Au début difficile de s'aventurer en ville tant la crainte des regards est grande. Mais en fait, cela passe assez bien. Cependant, j'ai l'impression d'être bien seul et j'aimerais bien que d'autres osent et que ce vêtement puisse ainsi être porté plus facilement.
Je précise que je suis un jeune senior et c'est par plaisir que je porte la jupe. Liberté de mouvement, originalité, confort.
Espérant que tout cela évolue vite...
[Add a message]