"It is your attitude, not aptitude, that determines your altitude."
[Zig Ziglar]

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YOU : You, You show me That my time is serious. I'll never leave you. I remain alive and I succeeded grow and smile. It's still wrong like a bad dog. [Adora - Indochine]  Gabrielle Lys. April 25, 2010.
YOU :
"You, You show me
That my time is serious.
I'll never leave you.
I remain alive and I succeeded
grow and smile.
It's still wrong like a bad dog."
[Adora - Indochine]

Gabrielle Lys. April 25, 2010.


SHAMAN FEATHER: Year 2013. The Shaman wears a dress representing his female-spiritual. He carries the red feather, symbol of his authority in the community. Gabrielle Lys October 2007.
SHAMAN FEATHER:
Year 2013. The Shaman wears a dress representing his female-spiritual. He carries the red feather, symbol of his authority in the community.
Gabrielle Lys October 2007.


The captain: high boots out of black leather, wool leggings, deer miniskirt, white plain Tee-shirt, short deer anthracite jacket and red velvet hat. Gabrielle Lys 2005.
The captain: high boots out of black leather, wool leggings, deer miniskirt, white plain Tee-shirt, short deer anthracite jacket and red velvet hat. Gabrielle Lys 2005.

The Shaman out of dress: To be in contact with the spirit of Gaa, the Shaman leaves his legs under the influence of the winds. Wrap in fabric with feathers of peacock and ostrich. Blue eyelid make-up. Gabrielle Lys. June 2007.
The Shaman out of dress:
To be in contact with the spirit of Gaa, the Shaman leaves his legs under the influence of the winds. Wrap in fabric with feathers of peacock and ostrich. Blue eyelid make-up.
Gabrielle Lys. June 2007.



The Skirt for man in the Gothic universe.

Gothic esthetism

dot  In our society, threatening for minority groups, aggressive by its technological projections, alienating by its media processes and its dictatorship of the pictures, the body remains a rampart to preserve, to find oneself, guarantor of a personal identity threatened by this technological and social environment. To be aware of their body, the Gothics will exacerbate their symbolic report with this one by expressing by clothing something of fundamental in their perception of the world. By the ornament, they nourish the body of symbols and cultivate it by symbols. The Gothic aesthetic universe expresses a rejection of rationalism to the profit of a personal passion. It is a means reaching a spirituality, considering reality differently and granting to the things a aesthetic major sens. The Gothic collective (concerts, exposures, dances) comes to support and reinforce this personal aesthetic research and to cause the will to open out in this aesthetic quest.

The Skirt in the male gothic look

"Only the darkness has the capacity to open to the world the heart of a man."
[ Paul Auster - "the catch room" ]

dot  The black vision suggested by Gothic esthetics returns to certain topics (the Gothic architecture, the Christian art, the vampires, the cinema of the fantastic, black films) like to a constant search for an expression of beauty in the tension, the strange and the decline. The gothic look corresponds to a style at the same time more or less sober and elegant. The esthetism is an essential criterion. The black is the prevalent color. The long black coats, the overcoats, the leather jackets and trousers, the neat hairstyle constitute the "traditional" elements of the male look.

dot  In the other criteria of beauty specific to the Gothic medium, we can find the make-up for men or the port of the Skirt. For the Gothics, it will be seen like something of esthetics and not dressing-up. The sexual differences attenuate through the look and the ornament. The androgyne aspect is developed to be different from the other cultures (the rap for example) and to be opposed to the values traditionally (and wrongfully) associated the masculine: mass production in factories, wars, consumer society,... The Gothic vestimentary style can be difficult to assume: sometimes for its androgyne side , sometimes for his occult connotations or its dictatorship of colors. The people do not recognize the individuals as "Gothics" and consequently develop their own system of categories such for example associating the port of the Skirt to a latent homosexuality.

Gabrielle Lys
Black is black: Skirt and Tee-shirt matched out of cotton. Stockings and mitten. Boots with high soles and Gothic make-up. Gabrielle Lys Marsh 2006.
Black is black:
Skirt and Tee-shirt matched out of cotton. Stockings and mitten. Boots with high soles and Gothic make-up.
Gabrielle Lys Marsh 2006.


The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Lys

Whiteness: Sensual whiteness Like a body in sleep Transparency of desire Nonchalance to be it Magic winter Gabrielle Lys. November 2006.
Whiteness:
Sensual whiteness
Like a body in sleep
Transparency of desire
Nonchalance to be it
Magic winter
Gabrielle Lys. November 2006.


The man in red: fushia boots and girdles out of deer, black leggings dim-up, red skirt adit by pull knobs, matched tee-shirt and wind-breaker. Fushia eye shadow. Gabrielle Lys 2005.
The man in red: fushia boots and girdles out of deer, black leggings dim-up, red skirt adit by pull knobs, matched tee-shirt and wind-breaker. Fushia eye shadow. Gabrielle Lys 2005.

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Last member
20/02/2012 - 17h35
Pauline
- L'hay les roses - France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par l’actrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, c’est la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel…». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans l’art de cette coiffure qui fut renommer la coupe à la garçonne.
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Last member
24/10/2017 - 15h37
Christophe Hadri
- Le breuil - France -
Cherche ou acheter le modèle jupe du guerrier.
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