SHAMAN YEAR 2050:
Set constituted of maroon changing silk of Saris and satin leather into superimposed layers.
Gabrielle Lys. August 24th, 2008.
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![THE LUNAR BOY: I asked to the Moon. And the sun does not know it. I showed him my burns. And the Moon made fun of me. [J’ai demandé à la lune - Indochine] To join the Moon, he wears a dress Gabrielle Lys of the collection spring-summer 2009. Gabrielle Lys. November 20th, 2008.](dessin_gabrielle_lys/medium/20081120_cheveux_robe_chanson.jpg "THE LUNAR BOY: I asked to the Moon. And the sun does not know it. I showed him my burns. And the Moon made fun of me. [J’ai demandé à la lune - Indochine] To join the Moon, he wears a dress Gabrielle Lys of the collection spring-summer 2009. Gabrielle Lys. November 20th, 2008.")
THE LUNAR BOY:
"I asked to the Moon.
And the sun does not know it.
I showed him my burns.
And the Moon made fun of me.
[J’ai demandé à la lune - Indochine]
To join the Moon, he wears a dress Gabrielle Lys of the collection spring-summer 2009.
Gabrielle Lys. November 20th, 2008.
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Man in autumn: long skirt in velvet color bordeaux, brown boots out of leather, wool sweater color green hunter, waistcoat teases color dark bordeaux. Gabrielle Lys 2005.
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Meeting again:
They meet again after a too long absence. With her scarf, she wears a long jacket color salmon on a light blue jeans. In a natural style, she wears sport shoes and a small banana bag out of black leather. Him, with his enormous "hold-all" bag as suitcase and his glasses of motorcyclist on the face, he abores the "underground" style. Over his skirt, he carries a long thick tweed coat and large boots of walk. Gabrielle Lys April 2006.
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The Skirt for man in the Gothic universe.
Gothic esthetism
In our society, threatening for minority groups, aggressive by its technological projections, alienating by its media processes and its dictatorship of the pictures, the body remains a rampart to preserve, to find oneself, guarantor of a personal identity threatened by this technological and social environment. To be aware of their body, the Gothics will exacerbate their symbolic report with this one by expressing by clothing something of fundamental in their perception of the world. By the ornament, they nourish the body of symbols and cultivate it by symbols. The Gothic aesthetic universe expresses a rejection of rationalism to the profit of a personal passion. It is a means reaching a spirituality, considering reality differently and granting to the things a aesthetic major sens. The Gothic collective (concerts, exposures, dances) comes to support and reinforce this personal aesthetic research and to cause the will to open out in this aesthetic quest.
The Skirt in the male gothic look
"Only the darkness has the capacity to open to the world the heart of a man."
[ Paul Auster - "the catch room" ]
The black vision suggested by Gothic esthetics returns to certain topics (the Gothic architecture, the Christian art, the vampires, the cinema of the fantastic, black films) like to a constant search for an expression of beauty in the tension, the strange and the decline. The gothic look corresponds to a style at the same time more or less sober and elegant. The esthetism is an essential criterion. The black is the prevalent color. The long black coats, the overcoats, the leather jackets and trousers, the neat hairstyle constitute the "traditional" elements of the male look.
In the other criteria of beauty specific to the Gothic medium, we can find the make-up for men or the port of the Skirt. For the Gothics, it will be seen like something of esthetics and not dressing-up. The sexual differences attenuate through the look and the ornament. The androgyne aspect is developed to be different from the other cultures (the rap for example) and to be opposed to the values traditionally (and wrongfully) associated the masculine: mass production in factories, wars, consumer society,... The Gothic vestimentary style can be difficult to assume: sometimes for its androgyne side , sometimes for his occult connotations or its dictatorship of colors. The people do not recognize the individuals as "Gothics" and consequently develop their own system of categories such for example associating the port of the Skirt to a latent homosexuality.
Black is black:
Skirt and Tee-shirt matched out of cotton. Stockings and mitten. Boots with high soles and Gothic make-up.
Gabrielle Lys Marsh 2006.
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The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
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and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
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The coat "bar":
Militant opposed to the death penalty in the United States. The coat "bar": symbol of the rebellion.
Gabrielle Lys. Special Cubism Collection. May 2007.
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MOVING MAN:
"A man out of skirt is a moving man..."
Blouse with assembled sleeves and bracelet of force. Skirt matched in changing silk muslin with urban boots.
Gabrielle Lys. September 5th, 2008.
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from whom to be suitable on the side of on account of yourself first-class stair railings in your classification
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![THE LUNAR BOY: I asked to the Moon. And the sun does not know it. I showed him my burns. And the Moon made fun of me. [J’ai demandé à la lune - Indochine] To join the Moon, he wears a dress Gabrielle Lys of the collection spring-summer 2009. Gabrielle Lys. November 20th, 2008.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20081120_cheveux_robe_chanson.jpg "THE LUNAR BOY: I asked to the Moon. And the sun does not know it. I showed him my burns. And the Moon made fun of me. [J’ai demandé à la lune - Indochine] To join the Moon, he wears a dress Gabrielle Lys of the collection spring-summer 2009. Gabrielle Lys. November 20th, 2008.")
