Printed colors:
A few months after the launching of the dress for man, the printed colors make fury in this summer 2013
Gabrielle Lys. July 2007.
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The sentinel:
MissingSign tee-shirt, leather skirt, girdle out of leather, socks out of wool and short ankle boots Arche.
Gabrielle Lys 2005.
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Total LOOK:
Fabrics like feelings of mode, packed reliefs and spirit of the Eighties, tinted colors of vintage reflections ...
Gabrielle Lys. August 2007.
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THE SUN KING:
Elegance of a belgian îcone of the grunge world... The "Sun king" reinvents the man with each one of his appearances. Boots and leather dress surmounted by a false collar "Sun" color gold.
Gabrielle Lys. September 2007.
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Androgyny and fashion
ANGELIC...
He wears high heels long time ago before Rick Owens. Leaned on a bar of the "halles Saint Gery" popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the "Mana romantic" style, he remains a hunter which is waiting his hour...
Gabrielle Lys. September 2007.
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Androgyny in the history.
After the First World War, the fashion of 1920 devoted the garçonne[1]. The figure of the androgyny occupied a considerable place there. The women bandaged their chest to erase it. The cuts of clothing avoided underlining the femininity of the bodies, gaining a new freedom to them. The war which had involved the men with the face, had opened the way of the emancipation to the women who, left their hearths, had occupied the functions hitherto exclusively reserved for the male sex. It is this indecision of the roles which generated perception that the loss of the traditional borders between men and women continued like a powerful factor of transformation of the world. Still today, the androgyny is perceived like the expression of a will to change the world.[2]
PERFECT LOOK:
He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without handles matched on a shirt with short handles.
Gabrielle Lys. September 2007.
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Androgyny in the fashion.
The history of the mode abounds in scandals caused by the vestimentary and behavioral innovations. Rupture with the laid down rules of the collective, the fashion rupture is felt through the ages like a provocation. In the competition of the individuals and social groups for the control of their time and power, fashion takes place by touch or by radical caesura and it is felt like a powerful individual assertion. The fashion in its renewal, in its will to dissociate previous times, attack frontally their taboos.[2] And doesn't the androgyny remain a taboo of our time ?
Androgyny in my work of designer
The world was born from the rupture of the perfect unit. It was born from the separation of the male principle and the principle female. The androgyne represents the perfect unit before the appearance of the world. It is located beyond the border where the masculine is distinguished from female and thus beyond the tensions and from the conflicts which are established between the two sexual poles of the life. The androgyne is perfect because the separation of the sexes is the image at the base of all the imperfections of the life.
God who is at the same time One and All created the man with his image but created it male or female. Each man thus carries in him the androgyny. My research is that of a perfect model relating to the identity. I could discover only the images which proclaim the union of the opposites, the radical desire to be - man and woman - one in the other abolished. To coincide with divine is to find the preexistent unit.
![LONG DRESS: Long dresses for all boys equipped like my been engaged The great shock for most vicious it is soon hunting for the witches ambiguous until the retina [Le 3ième sexe - INDOCHINE] Gabrielle Lys August 2007.](dessin_gabrielle_lys/medium/20070821_homme_en_jupe_chanson_robe.jpg)
LONG DRESS:
Long dresses for all boys
equipped like my been engaged
The great shock for most vicious
it is soon hunting for the witches
ambiguous until the retina
["Le 3ième sexe" - INDOCHINE]
Gabrielle Lys August 2007.
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The fashion, material reality but spiritual activity is essential for me like symbolic quest of this research. there isn't other ways for me that to dig matters and forms in the search of this guiding principle. The fashion offers this field of experiments where the beauty is linked with itself as with its opposite by the myth of the androgyne...
Bibliography:
[1] See my article on
"Les garçonnes"
.
[2] "Essai sur la mode dans les sociétés modernes".
Eric Sommier, L'Harmattan édition 2007.
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The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
book
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
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THE RED SHAMAN:
In 2030, the shamanism and our older ancestral rites become the first source of spirituality in the world. The fashion makes a very broad echo of it as this mannequin which ravels equipped with only chamanic feathers and high heels boots.
Gabrielle Lys. Novembre 2th, 2008.
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PINK PARTY:
Pleated pants in silk embossed. Velvet felt hat. Leather laced boots and jacket.
Gabrielle Lys. February 26, 2011.
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Gabrielle un vrai ange ! Bisous ma belle et continue à transmettre tous tes aventures, t'es quelqu'un de rare et exceptionnelle !
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from whom to be suitable on the side of on account of yourself first-class stair railings in your classification
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