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Psychology:
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Fashion Articles:
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AND ME I DANCE It is as a light Which slips into the black It is already the border The end of the corridor And me I dance I lost the memory [It is always a mystery - Pierre Rapsat]  Dress with great width worked in small superimposed wheels. Adjusted and round cut off blouse. Gabrielle Lys. February 3, 2008.
AND ME I DANCE
"It is as a light
Which slips into the black
It is already the border
The end of the corridor
And me I dance
I lost the memory"
[It is always a mystery - Pierre Rapsat]

Dress with great width worked in small superimposed wheels. Adjusted and round cut off blouse.
Gabrielle Lys. February 3, 2008.


The captain: high boots out of black leather, wool leggings, deer miniskirt, white plain Tee-shirt, short deer anthracite jacket and red velvet hat. Gabrielle Lys 2005.
The captain: high boots out of black leather, wool leggings, deer miniskirt, white plain Tee-shirt, short deer anthracite jacket and red velvet hat. Gabrielle Lys 2005.

MEN IN SKIRT 2012: Gabrielle Lys. May 17, 2013.
MEN IN SKIRT 2012:
Gabrielle Lys. May 17, 2013.


MY NEXT LIFE: But if you don't change your situation Then you'll die. Don't die. Please don't die... [Commercial for Levi - Placebo]  Gabrielle since the beginning, and without scars, will create the fashion of the mauve hair and the cow-boy hats. Gabrielle Lys. August 15th, 2009.
MY NEXT LIFE:
"But if you don't change your situation
Then you'll die.
Don't die.
Please don't die..."
[Commercial for Levi - Placebo]

Gabrielle since the beginning,
and without scars,
will create the fashion of the mauve hair
and the cow-boy hats.
Gabrielle Lys. August 15th, 2009.



Androgyny and fashion

ANGELIC... He wears high heels long time ago before Rick Owens. Leaned on a bar of the halles Saint Gery popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the Mana romantic style, he remains a hunter which is waiting his hour... Gabrielle Lys. September 2007.
ANGELIC...
He wears high heels long time ago before Rick Owens. Leaned on a bar of the "halles Saint Gery" popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the "Mana romantic" style, he remains a hunter which is waiting his hour...
Gabrielle Lys. September 2007.

Androgyny in the history.

dot  After the First World War, the fashion of 1920 devoted the garçonne[1]. The figure of the androgyny occupied a considerable place there. The women bandaged their chest to erase it. The cuts of clothing avoided underlining the femininity of the bodies, gaining a new freedom to them. The war which had involved the men with the face, had opened the way of the emancipation to the women who, left their hearths, had occupied the functions hitherto exclusively reserved for the male sex. It is this indecision of the roles which generated perception that the loss of the traditional borders between men and women continued like a powerful factor of transformation of the world. Still today, the androgyny is perceived like the expression of a will to change the world.[2]

PERFECT LOOK: He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without  handles matched on a shirt with short handles. Gabrielle Lys. September 2007.
PERFECT LOOK:
He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without handles matched on a shirt with short handles.
Gabrielle Lys. September 2007.

Androgyny in the fashion.

dot  The history of the mode abounds in scandals caused by the vestimentary and behavioral innovations. Rupture with the laid down rules of the collective, the fashion rupture is felt through the ages like a provocation. In the competition of the individuals and social groups for the control of their time and power, fashion takes place by touch or by radical caesura and it is felt like a powerful individual assertion. The fashion in its renewal, in its will to dissociate previous times, attack frontally their taboos.[2] And doesn't the androgyny remain a taboo of our time ?

Androgyny in my work of designer

dot  The world was born from the rupture of the perfect unit. It was born from the separation of the male principle and the principle female. The androgyne represents the perfect unit before the appearance of the world. It is located beyond the border where the masculine is distinguished from female and thus beyond the tensions and from the conflicts which are established between the two sexual poles of the life. The androgyne is perfect because the separation of the sexes is the image at the base of all the imperfections of the life.

dot  God who is at the same time One and All created the man with his image but created it male or female. Each man thus carries in him the androgyny. My research is that of a perfect model relating to the identity. I could discover only the images which proclaim the union of the opposites, the radical desire to be - man and woman - one in the other abolished. To coincide with divine is to find the preexistent unit.
LONG DRESS: Long dresses for all boys equipped like my been engaged The great shock for most vicious it is soon hunting for the witches ambiguous until the retina [Le 3ime sexe - INDOCHINE] Gabrielle Lys August 2007.
LONG DRESS:
Long dresses for all boys
equipped like my been engaged
The great shock for most vicious
it is soon hunting for the witches
ambiguous until the retina
["Le 3ime sexe" - INDOCHINE]

Gabrielle Lys August 2007.

dot  The fashion, material reality but spiritual activity is essential for me like symbolic quest of this research. there isn't other ways for me that to dig matters and forms in the search of this guiding principle. The fashion offers this field of experiments where the beauty is linked with itself as with its opposite by the myth of the androgyne...
Gabrielle Lys


Bibliography:
[1] See my article on "Les garçonnes" .
[2] "Essai sur la mode dans les sociétés modernes".
Eric Sommier, L'Harmattan édition 2007.



The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Lys

The Wizard : And the man out of skirt says : speaks us about us. And the Wizard answered: To marry the suffering of the others, to see the color of the hearts, to read the Karma of the men, to feel the trees and communier with the earth mother, you, me and some others pay with our sensitivity this difficult gift. But in this world of money, profit and machines, we are the last Shamans and much men envie our freedom to be. Tease coat and skirt color of incantations. High leather boots. Gabrielle Lys April 2006.
The Wizard :
And the man out of skirt says : "speaks us about us". And the Wizard answered: "To marry the suffering of the others, to see the color of the hearts, to read the Karma of the men, to feel the trees and communier with the earth mother, you, me and some others pay with our sensitivity this difficult gift. But in this world of money, profit and machines, we are the last Shamans and much men envie our freedom to be." Tease coat and skirt color of incantations. High leather boots. Gabrielle Lys April 2006.


The Shaman of the 3th millenium: black boots out of leather, warlike skirt in fabric embroidered with the colors of the clan, black mittens and bonnet out of wool, leggings, sweat and eye shadow clay of the caves, collar and braided hair Gabrielle Lys  with talisman in feathers of eagle. Gabrielle Lys  January 2006.
The Shaman of the 3th millenium:
black boots out of leather, warlike skirt in fabric embroidered with the colors of the clan, black mittens and bonnet out of wool, leggings, sweat and eye shadow "clay of the caves", collar and braided hair Gabrielle Lys  with talisman in feathers of eagle. Gabrielle Lys  January 2006.


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Androgynous in mind. Male in nature. Female in appearance. What else... Mind the step!
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