![DRESS OF HOPE: They say that elsewhere, this is not better than here. Elsewhere, there are no more paradise. They say that elsewhere, there are no more nothing to see [C'est mon baeau - Jo Lemaire] To leave, he wears a satin dress inspired of the style second empire. Gabrielle Lys. July 9, 2008.](dessin_gabrielle_lys/medium/20080709_robe_chanson.jpg "DRESS OF HOPE: They say that elsewhere, this is not better than here. Elsewhere, there are no more paradise. They say that elsewhere, there are no more nothing to see [C'est mon baeau - Jo Lemaire] To leave, he wears a satin dress inspired of the style second empire. Gabrielle Lys. July 9, 2008.")
DRESS OF HOPE:
"They say that elsewhere,
this is not better than here.
Elsewhere, there are no more paradise.
They say that elsewhere,
there are no more nothing to see"
[C'est mon baeau - Jo Lemaire]
To leave, he wears a satin dress inspired of the style second empire.
Gabrielle Lys. July 9, 2008.
|
![THE REBEL: And if the life were a shooting star crossing a dark eternity, each one would have the leisure to make it shine with his guise. [Tonino Benacquista] He is rebellious. He refuges which the world is fixed. To make shine the world like a star, he wears a perfecto and boots red and his Grunge skirt in 3 thicknesses of fabric. Gabrielle Lys. December 14, 2008.](dessin_gabrielle_lys/medium/20081214_etoile.jpg "THE REBEL: And if the life were a shooting star crossing a dark eternity, each one would have the leisure to make it shine with his guise. [Tonino Benacquista] He is rebellious. He refuges which the world is fixed. To make shine the world like a star, he wears a perfecto and boots red and his Grunge skirt in 3 thicknesses of fabric. Gabrielle Lys. December 14, 2008.")
THE REBEL:
"And if the life were a shooting star crossing a dark eternity, each one would have the leisure to make it shine with his guise."
[Tonino Benacquista]
He is rebellious. He refuges which the world is fixed. To make shine the world like a star, he wears a perfecto and boots red and his "Grunge" skirt in 3 thicknesses of fabric.
Gabrielle Lys. December 14, 2008.
|
Printed colors:
A few months after the launching of the dress for man, the printed colors make fury in this summer 2013
Gabrielle Lys. July 2007.
|
THE CAT-MAN:
Shaman honouring the cult of Bast. Under his mask with head of cat symbol of the femininity, the defender of the home and the maternity, he detains the magic power which stimulates the love and the carnal energy. Nude, he wears a simple skirt rolls on a more becoming skirt and long leather boots.
Gabrielle Lys
December 22th, 2007.
|
|
Androgyny and fashion
ANGELIC...
He wears high heels long time ago before Rick Owens. Leaned on a bar of the "halles Saint Gery" popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the "Mana romantic" style, he remains a hunter which is waiting his hour...
Gabrielle Lys. September 2007.
|
Androgyny in the history.
After the First World War, the fashion of 1920 devoted the garçonne[1]. The figure of the androgyny occupied a considerable place there. The women bandaged their chest to erase it. The cuts of clothing avoided underlining the femininity of the bodies, gaining a new freedom to them. The war which had involved the men with the face, had opened the way of the emancipation to the women who, left their hearths, had occupied the functions hitherto exclusively reserved for the male sex. It is this indecision of the roles which generated perception that the loss of the traditional borders between men and women continued like a powerful factor of transformation of the world. Still today, the androgyny is perceived like the expression of a will to change the world.[2]
PERFECT LOOK:
He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without handles matched on a shirt with short handles.
Gabrielle Lys. September 2007.
|
Androgyny in the fashion.
The history of the mode abounds in scandals caused by the vestimentary and behavioral innovations. Rupture with the laid down rules of the collective, the fashion rupture is felt through the ages like a provocation. In the competition of the individuals and social groups for the control of their time and power, fashion takes place by touch or by radical caesura and it is felt like a powerful individual assertion. The fashion in its renewal, in its will to dissociate previous times, attack frontally their taboos.[2] And doesn't the androgyny remain a taboo of our time ?
Androgyny in my work of designer
The world was born from the rupture of the perfect unit. It was born from the separation of the male principle and the principle female. The androgyne represents the perfect unit before the appearance of the world. It is located beyond the border where the masculine is distinguished from female and thus beyond the tensions and from the conflicts which are established between the two sexual poles of the life. The androgyne is perfect because the separation of the sexes is the image at the base of all the imperfections of the life.
God who is at the same time One and All created the man with his image but created it male or female. Each man thus carries in him the androgyny. My research is that of a perfect model relating to the identity. I could discover only the images which proclaim the union of the opposites, the radical desire to be - man and woman - one in the other abolished. To coincide with divine is to find the preexistent unit.
![LONG DRESS: Long dresses for all boys equipped like my been engaged The great shock for most vicious it is soon hunting for the witches ambiguous until the retina [Le 3ième sexe - INDOCHINE] Gabrielle Lys August 2007.](dessin_gabrielle_lys/medium/20070821_homme_en_jupe_chanson_robe.jpg)
LONG DRESS:
Long dresses for all boys
equipped like my been engaged
The great shock for most vicious
it is soon hunting for the witches
ambiguous until the retina
["Le 3ième sexe" - INDOCHINE]
Gabrielle Lys August 2007.
|
The fashion, material reality but spiritual activity is essential for me like symbolic quest of this research. there isn't other ways for me that to dig matters and forms in the search of this guiding principle. The fashion offers this field of experiments where the beauty is linked with itself as with its opposite by the myth of the androgyne...
Bibliography:
[1] See my article on
"Les garçonnes"
.
[2] "Essai sur la mode dans les sociétés modernes".
Eric Sommier, L'Harmattan édition 2007.
|
|
The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden
book
and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
|
The adventurer:
On board his jeep, he crosses the deserts of Australia to the research of the gold seam. Sweat out of cotton, skirt in flax with pocket for dagger, boots and hat out of leather, scarf in flax, girdles out of leather with pocket for gourd. Gabrielle Lys February 2006.
|
SUMMER SOLSTICE:
Shaman out of formal dress of the summer solstice. Hairstyle and tail in feather of side. Dress and tail in coloured leather thin straps.
Gabrielle Lys.
May 3, 2008.
|
Last statistics :
100 visits today
70 visits today
30 visits today
6726 visits by day max
421739 visits
551 Supporters
55
496
80 Messages
180 Drawings
|
Last member
20/02/2012 - 17h35
Pauline
- L'hay les roses
- France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par l’actrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, c’est la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel…». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans l’art de cette coiffure qui fut renommer la coupe à la garçonne.
[Members list]
(free)
|
Last member
17/07/2017 - 08h03
Patrick Lefetz
- Verdun
- France -
Je porte les jupes Hyatus depuis 3 ans, pour le sport et la ville.
Autour dr moi, les femmes y sont favorables et certains hommes sont prés à oser le port de la jupe
[Supporters List]
(free)
|
Last msg of GuestBook :
Jean
- Lyon
- France -
- added 08/02/2016.
Bravo pour ce magnifique site
Dommage que les articles sur la jupe se fassent rares.
Je me suis mis à porter la jupe de temps en temps depuis un an. Au début difficile de s'aventurer en ville tant la crainte des regards est grande. Mais en fait, cela passe assez bien. Cependant, j'ai l'impression d'être bien seul et j'aimerais bien que d'autres osent et que ce vêtement puisse ainsi être porté plus facilement.
Je précise que je suis un jeune senior et c'est par plaisir que je porte la jupe. Liberté de mouvement, originalité, confort.
Espérant que tout cela évolue vite...
[Add a message]
|
|
![DRESS OF HOPE: They say that elsewhere, this is not better than here. Elsewhere, there are no more paradise. They say that elsewhere, there are no more nothing to see [C'est mon baeau - Jo Lemaire] To leave, he wears a satin dress inspired of the style second empire. Gabrielle Lys. July 9, 2008.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20080709_robe_chanson.jpg "DRESS OF HOPE: They say that elsewhere, this is not better than here. Elsewhere, there are no more paradise. They say that elsewhere, there are no more nothing to see [C'est mon baeau - Jo Lemaire] To leave, he wears a satin dress inspired of the style second empire. Gabrielle Lys. July 9, 2008.")
![THE REBEL: And if the life were a shooting star crossing a dark eternity, each one would have the leisure to make it shine with his guise. [Tonino Benacquista] He is rebellious. He refuges which the world is fixed. To make shine the world like a star, he wears a perfecto and boots red and his Grunge skirt in 3 thicknesses of fabric. Gabrielle Lys. December 14, 2008.](affichephoto.php?GlobalLang=2&Photo=dessin_gabrielle_lys/verybig/20081214_etoile.jpg "THE REBEL: And if the life were a shooting star crossing a dark eternity, each one would have the leisure to make it shine with his guise. [Tonino Benacquista] He is rebellious. He refuges which the world is fixed. To make shine the world like a star, he wears a perfecto and boots red and his Grunge skirt in 3 thicknesses of fabric. Gabrielle Lys. December 14, 2008.")
