"It is your attitude, not aptitude, that determines your altitude."
[Zig Ziglar]

             Changer en Français

MiSSing Sign :
dot  Home
dot  Presentation
dot  Email me
dot  GuestBook (80)
dot  Write in the GuestBook
dot  Events (3)(9)
dot  Links (6)

Drawings :
dot  All
dot  Shaman
dot  Cubism
dot  The dress
dot  New York City
dot  Words of Songs
dot  Colored hairs
dot  Pencil drawings
dot  Warrior of the Light
dot  Androgyne

Psychology:
  Not easy being a boy
  Skirting Men
  "Les garçonnes"
  False ideas
  Estimates itself
  Builders of culture
  To dare the Skirt
  Our clothes speak to us
  Reflexions about the Skirt

Fashion Articles:
  Tee-Shirt
  Gothic culture
  The Golden Mean
  Proportion of Skirt
  Skirt's councils
  Skirt's lexicon
  Boot's lexicon
  Androgyny and Fashion

Members :
dot  Login
  Members List
  The Wall
dot  Register as Member (free)

THE SUN KING: Elegance of a belgian cone of the grunge world... The Sun king reinvents the man with each one of his appearances. Boots and leather dress surmounted by a false collar Sun color gold. Gabrielle Lys. September 2007.
THE SUN KING:
Elegance of a belgian cone of the grunge world... The "Sun king" reinvents the man with each one of his appearances. Boots and leather dress surmounted by a false collar "Sun" color gold.
Gabrielle Lys. September 2007.


STAGE BEAUTY: In 1660, the most famous actress of England is not other than a man of the name of Edward Ned Kynaston. At that time, only the male gente is authorized to play on scene, a privilege which benefits Ned because he excels in the interpretation of the great female roles and is the most desirable woman of London... [Homage to the movie STAGE BEAUTY - 2004]  Edward Ned Kynaston wears a dress wallet out of satin to high size with draped asymmetrical long-line bra. Collar and cuffs are green silk. Gabrielle Lys. February 2, 2008.
STAGE BEAUTY:
In 1660, the most famous actress of England is not other than a man of the name of Edward "Ned" Kynaston. At that time, only the male gente is authorized to play on scene, a privilege which benefits Ned because he excels in the interpretation of the great female roles and is the most desirable "woman" of London...
[Homage to the movie STAGE BEAUTY - 2004]

Edward "Ned" Kynaston wears a dress wallet out of satin to high size with draped asymmetrical long-line bra. Collar and cuffs are green silk.
Gabrielle Lys. February 2, 2008.


TEMPTATION: He wears a simple skin and a dress in fabric. He holds up the cross of all his forces because he will yield to temptation. He will yield to temptation of devil. How could it be different?  Gabrielle Lys. April 27th, 2009.
TEMPTATION:
He wears a simple skin and a dress in fabric. He holds up the cross of all his forces because he will yield to temptation. He will yield to temptation of devil. How could it be different?

Gabrielle Lys. April 27th, 2009.


ANGEL IN THE SKY : I've tried so hard To tell myself that you're gone And though your still with me I've been alone all along. [MY IMMORTAL - Evanescence]  Crepe blouse with sleeves. Matching skirt with chiffon layers. Gabrielle Lys. May 29, 2010.
ANGEL IN THE SKY :
"I've tried so hard
To tell myself that you're gone
And though your still with me
I've been alone all along".
[MY IMMORTAL - Evanescence]

Crepe blouse with sleeves. Matching skirt with chiffon layers.
Gabrielle Lys. May 29, 2010.



Androgyny and fashion

ANGELIC... He wears high heels long time ago before Rick Owens. Leaned on a bar of the halles Saint Gery popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the Mana romantic style, he remains a hunter which is waiting his hour... Gabrielle Lys. September 2007.
ANGELIC...
He wears high heels long time ago before Rick Owens. Leaned on a bar of the "halles Saint Gery" popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the "Mana romantic" style, he remains a hunter which is waiting his hour...
Gabrielle Lys. September 2007.

Androgyny in the history.

dot  After the First World War, the fashion of 1920 devoted the garçonne[1]. The figure of the androgyny occupied a considerable place there. The women bandaged their chest to erase it. The cuts of clothing avoided underlining the femininity of the bodies, gaining a new freedom to them. The war which had involved the men with the face, had opened the way of the emancipation to the women who, left their hearths, had occupied the functions hitherto exclusively reserved for the male sex. It is this indecision of the roles which generated perception that the loss of the traditional borders between men and women continued like a powerful factor of transformation of the world. Still today, the androgyny is perceived like the expression of a will to change the world.[2]

PERFECT LOOK: He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without  handles matched on a shirt with short handles. Gabrielle Lys. September 2007.
PERFECT LOOK:
He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without handles matched on a shirt with short handles.
Gabrielle Lys. September 2007.

Androgyny in the fashion.

dot  The history of the mode abounds in scandals caused by the vestimentary and behavioral innovations. Rupture with the laid down rules of the collective, the fashion rupture is felt through the ages like a provocation. In the competition of the individuals and social groups for the control of their time and power, fashion takes place by touch or by radical caesura and it is felt like a powerful individual assertion. The fashion in its renewal, in its will to dissociate previous times, attack frontally their taboos.[2] And doesn't the androgyny remain a taboo of our time ?

Androgyny in my work of designer

dot  The world was born from the rupture of the perfect unit. It was born from the separation of the male principle and the principle female. The androgyne represents the perfect unit before the appearance of the world. It is located beyond the border where the masculine is distinguished from female and thus beyond the tensions and from the conflicts which are established between the two sexual poles of the life. The androgyne is perfect because the separation of the sexes is the image at the base of all the imperfections of the life.

dot  God who is at the same time One and All created the man with his image but created it male or female. Each man thus carries in him the androgyny. My research is that of a perfect model relating to the identity. I could discover only the images which proclaim the union of the opposites, the radical desire to be - man and woman - one in the other abolished. To coincide with divine is to find the preexistent unit.
LONG DRESS: Long dresses for all boys equipped like my been engaged The great shock for most vicious it is soon hunting for the witches ambiguous until the retina [Le 3ime sexe - INDOCHINE] Gabrielle Lys August 2007.
LONG DRESS:
Long dresses for all boys
equipped like my been engaged
The great shock for most vicious
it is soon hunting for the witches
ambiguous until the retina
["Le 3ime sexe" - INDOCHINE]

Gabrielle Lys August 2007.

dot  The fashion, material reality but spiritual activity is essential for me like symbolic quest of this research. there isn't other ways for me that to dig matters and forms in the search of this guiding principle. The fashion offers this field of experiments where the beauty is linked with itself as with its opposite by the myth of the androgyne...
Gabrielle Lys


Bibliography:
[1] See my article on "Les garçonnes" .
[2] "Essai sur la mode dans les sociétés modernes".
Eric Sommier, L'Harmattan édition 2007.



The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Lys

AND ME I DANCE It is as a light Which slips into the black It is already the border The end of the corridor And me I dance I lost the memory [It is always a mystery - Pierre Rapsat]  Dress with great width worked in small superimposed wheels. Adjusted and round cut off blouse. Gabrielle Lys. February 3, 2008.
AND ME I DANCE
"It is as a light
Which slips into the black
It is already the border
The end of the corridor
And me I dance
I lost the memory"
[It is always a mystery - Pierre Rapsat]

Dress with great width worked in small superimposed wheels. Adjusted and round cut off blouse.
Gabrielle Lys. February 3, 2008.


The sentinel: MissingSign tee-shirt, leather skirt, girdle out of leather, socks out of wool and short ankle boots Arche. Gabrielle Lys 2005.
The sentinel:
MissingSign tee-shirt, leather skirt, girdle out of leather, socks out of wool and short ankle boots Arche.
Gabrielle Lys 2005.


Last statistics :
dot  6 visits today
dot  5 visits today
dot  1 visit today
dot  6726 visits by day max
dot  410283 visits
dot  550 Supporters  55  495
dot  80 Messages
dot  180 Drawings

Last member
20/02/2012 - 17h35
Pauline
- L'hay les roses - France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par l’actrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, c’est la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel…». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans l’art de cette coiffure qui fut renommer la coupe à la garçonne.
[Members list] (free)

Last member
01/04/2017 - 01h29
Israel Morales
- Sogamoso - Colombia -
Lo mas adecuado, cómodo, decente, y saludable para vestirse un hombre es una falda; o un vestido con falda.
Esta es mi mejor justificasion para volver a usar las faldas.
El pantalón fue utilizado para discriminar, y humillar a la mujer; (es la prenda mas exhibicionista y sexista que se haya utilizado; y en especial para el varon, pues la anatomía de la mujer es diferente, y un pantalón en la mujer no es tan INSINUANTE, ni tan exhibicionista como en el hombre. Lo mas decente, cómodo, y SALUDABLE para vestirse un varon es una falda o un vestido con falda.

Por tradición los hombres desde siempre se habían vestido con faldas, solo hace 300 años que los obligaron a usar pantalón.

El pantalón es la prenda menos adecuada para un hombre; el calzoncillo bóxer, hace las veces de férula en los genitales, (propiciando mal funcionamiento, y discapacidades), la costura central del pantalón maltrata, magulla e incomoda todo el tiempo los genitales; la correa o cinturón hace las veces de torniquete, y obliga al corazón a bombear la sangre con mayor esfuerzo, (para vencer la contracción que hace el torniquete), y por mala irrigacion sanguínea afecta: el aparato digestivo, el sistema urinario, el aparato reproductor. Ademas con el uso del pantalón el hombre ha terminado orinando de pie lo cual es totalmente antinatural. Las Faldas y los vestidos con faldas para los hombres son suprema-mente SALUDABLES, CÓMODOS Y CONFORTABLES. El pantalón, el calzoncillo ajustado, la costura central del pantalón, y la correa o cinturón, están promoviendo las enfermedades modernas de los hombres: IMPOTENCIA, ESTERILIDAD, PROBLEMAS DE LA PRÓSTATA Y POSIBLEMENTE CÁNCER DEL TESTÁCULO.

Ninguna parte del cuerpo del varon se maltrata mas que los genitales.

Por salud y comodidad mejor usar FALDAS O VESTIDOS CON FALDA

[Supporters List] (free)

Last msg of GuestBook :
Jean - Lyon - France - - added 08/02/2016.
Bravo pour ce magnifique site
Dommage que les articles sur la jupe se fassent rares.
Je me suis mis à porter la jupe de temps en temps depuis un an. Au début difficile de s'aventurer en ville tant la crainte des regards est grande. Mais en fait, cela passe assez bien. Cependant, j'ai l'impression d'être bien seul et j'aimerais bien que d'autres osent et que ce vêtement puisse ainsi être porté plus facilement.
Je précise que je suis un jeune senior et c'est par plaisir que je porte la jupe. Liberté de mouvement, originalité, confort.
Espérant que tout cela évolue vite...


[Add a message]


© This website is protected by copyright, all rights reserved - MissingSign - Gabrielle Lys - 2004 - 2017.
Any reproduction and/or redistribution of content by any means whatsoever is subject to specific authorization of its author.
SABAM number 00768391789 ©


6 V.