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  Androgyny and Fashion

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SERAPHITA Séraphîta is an androgyne, loved as a man by Minna and as a woman by Wilfred. He-She shows a scholarship and intellectual abilities largely higher than the average; being carried out by the love human. He-She is however not an angel descended on ground, but a perfect man, i.e. a total being. [Séraphîta - Balzac]  Séraphîta wears a pink dress out of silk satin with round cut off. He-She carries the crowned feathers, symbol of his widened conscience. Gabrielle Lys. 26 février 2008.
SERAPHITA
Séraphîta is an androgyne, loved as a man by Minna and as a woman by Wilfred. "He-She" shows a scholarship and intellectual abilities largely higher than the average; being carried out by the love human. "He-She" is however not an angel descended on ground, but a perfect man, i.e. a "total" being.
["Séraphîta" - Balzac]

Séraphîta wears a pink dress out of silk satin with round cut off. "He-She" carries the crowned feathers, symbol of his widened conscience.
Gabrielle Lys. 26 février 2008.


At Brussels, in the pubs of the Schuman place, the cubic skirt is the sign à.la.mode of the new philosophers. Gabrielle Lys. Special Cubism Collection. Marsh 2007.
At Brussels, in the pubs of the Schuman place, the cubic skirt is the sign à.la.mode of the new philosophers.
Gabrielle Lys. Special Cubism Collection. Marsh 2007.


ANGER: If anger was a dress...  Dress with great width worked in small superimposed wheels. Adjusted and round cut off blouse. Gabrielle Lys. May 20, 2008.
ANGER:
If anger was a dress...

Dress with great width worked in small superimposed wheels. Adjusted and round cut off blouse.
Gabrielle Lys.
May 20, 2008.


SELF-PORTRAIT : Winter's cityside, Crystal bits of snowflakes, All around my head and in the wind, I had no illusions. That I'd ever find a glimpse Of summer's heatwaves in your eyes You did what you did to me, Now it's history I see, Here's my comeback on the road again. [Big In Japan - Alphaville] Gabrielle Lys. February 6, 2011.
SELF-PORTRAIT :
"Winter's cityside,
Crystal bits of snowflakes,
All around my head and in the wind,
I had no illusions.
That I'd ever find a glimpse
Of summer's heatwaves in your eyes
You did what you did to me,
Now it's history I see,
Here's my comeback on the road again."
[Big In Japan - Alphaville]
Gabrielle Lys. February 6, 2011.



Androgyny and fashion

ANGELIC... He wears high heels long time ago before Rick Owens. Leaned on a bar of the halles Saint Gery popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the Mana romantic style, he remains a hunter which is waiting his hour... Gabrielle Lys. September 2007.
ANGELIC...
He wears high heels long time ago before Rick Owens. Leaned on a bar of the "halles Saint Gery" popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the "Mana romantic" style, he remains a hunter which is waiting his hour...
Gabrielle Lys. September 2007.

Androgyny in the history.

dot  After the First World War, the fashion of 1920 devoted the garçonne[1]. The figure of the androgyny occupied a considerable place there. The women bandaged their chest to erase it. The cuts of clothing avoided underlining the femininity of the bodies, gaining a new freedom to them. The war which had involved the men with the face, had opened the way of the emancipation to the women who, left their hearths, had occupied the functions hitherto exclusively reserved for the male sex. It is this indecision of the roles which generated perception that the loss of the traditional borders between men and women continued like a powerful factor of transformation of the world. Still today, the androgyny is perceived like the expression of a will to change the world.[2]

PERFECT LOOK: He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without  handles matched on a shirt with short handles. Gabrielle Lys. September 2007.
PERFECT LOOK:
He is 16 years old and plays to be a bishonen. Hair and blue boots. Wool Skirt and sweater without handles matched on a shirt with short handles.
Gabrielle Lys. September 2007.

Androgyny in the fashion.

dot  The history of the mode abounds in scandals caused by the vestimentary and behavioral innovations. Rupture with the laid down rules of the collective, the fashion rupture is felt through the ages like a provocation. In the competition of the individuals and social groups for the control of their time and power, fashion takes place by touch or by radical caesura and it is felt like a powerful individual assertion. The fashion in its renewal, in its will to dissociate previous times, attack frontally their taboos.[2] And doesn't the androgyny remain a taboo of our time ?

Androgyny in my work of designer

dot  The world was born from the rupture of the perfect unit. It was born from the separation of the male principle and the principle female. The androgyne represents the perfect unit before the appearance of the world. It is located beyond the border where the masculine is distinguished from female and thus beyond the tensions and from the conflicts which are established between the two sexual poles of the life. The androgyne is perfect because the separation of the sexes is the image at the base of all the imperfections of the life.

dot  God who is at the same time One and All created the man with his image but created it male or female. Each man thus carries in him the androgyny. My research is that of a perfect model relating to the identity. I could discover only the images which proclaim the union of the opposites, the radical desire to be - man and woman - one in the other abolished. To coincide with divine is to find the preexistent unit.
LONG DRESS: Long dresses for all boys equipped like my been engaged The great shock for most vicious it is soon hunting for the witches ambiguous until the retina [Le 3ième sexe - INDOCHINE] Gabrielle Lys August 2007.
LONG DRESS:
Long dresses for all boys
equipped like my been engaged
The great shock for most vicious
it is soon hunting for the witches
ambiguous until the retina
["Le 3ième sexe" - INDOCHINE]

Gabrielle Lys August 2007.

dot  The fashion, material reality but spiritual activity is essential for me like symbolic quest of this research. there isn't other ways for me that to dig matters and forms in the search of this guiding principle. The fashion offers this field of experiments where the beauty is linked with itself as with its opposite by the myth of the androgyne...
Gabrielle Lys


Bibliography:
[1] See my article on "Les garçonnes" .
[2] "Essai sur la mode dans les sociétés modernes".
Eric Sommier, L'Harmattan édition 2007.



The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Lys

The singer:: he poses for journalists on the edge of terrace of the Metropole hotel in Brussels. He wears a pleated blue sky skirt and a yellow tee-shirt in stretch. For these first days of spring, the color of its wind-breaker and its ankle boots is last cry in luxury shops of the Louise avenue. Gabrielle Lys April 2006.
The singer:: he poses for journalists on the edge of terrace of the Metropole hotel in Brussels. He wears a pleated blue sky skirt and a yellow tee-shirt in stretch. For these first days of spring, the color of its wind-breaker and its ankle boots is last cry in luxury shops of the Louise avenue. Gabrielle Lys April 2006.

THE CAT-MAN: Shaman honouring the cult of Bast. Under his mask with head of cat symbol of the femininity, the defender of the home and the maternity, he detains the magic power which stimulates the love and the carnal energy. Nude, he wears a simple skirt rolls on a more becoming skirt and long leather boots. Gabrielle Lys December 22th, 2007.
THE CAT-MAN:
Shaman honouring the cult of Bast. Under his mask with head of cat symbol of the femininity, the defender of the home and the maternity, he detains the magic power which stimulates the love and the carnal energy. Nude, he wears a simple skirt rolls on a more becoming skirt and long leather boots.
Gabrielle Lys
December 22th, 2007.


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Last member
20/02/2012 - 17h35
Pauline
- L'hay les roses - France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par l’actrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, c’est la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel…». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans l’art de cette coiffure qui fut renommer la coupe à la garçonne.
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Last member
01/04/2017 - 01h29
Israel Morales
- Sogamoso - Colombia -
Lo mas adecuado, cómodo, decente, y saludable para vestirse un hombre es una falda; o un vestido con falda.
Esta es mi mejor justificasion para volver a usar las faldas.
El pantalón fue utilizado para discriminar, y humillar a la mujer; (es la prenda mas exhibicionista y sexista que se haya utilizado; y en especial para el varon, pues la anatomía de la mujer es diferente, y un pantalón en la mujer no es tan INSINUANTE, ni tan exhibicionista como en el hombre. Lo mas decente, cómodo, y SALUDABLE para vestirse un varon es una falda o un vestido con falda.

Por tradición los hombres desde siempre se habían vestido con faldas, solo hace 300 años que los obligaron a usar pantalón.

El pantalón es la prenda menos adecuada para un hombre; el calzoncillo bóxer, hace las veces de férula en los genitales, (propiciando mal funcionamiento, y discapacidades), la costura central del pantalón maltrata, magulla e incomoda todo el tiempo los genitales; la correa o cinturón hace las veces de torniquete, y obliga al corazón a bombear la sangre con mayor esfuerzo, (para vencer la contracción que hace el torniquete), y por mala irrigacion sanguínea afecta: el aparato digestivo, el sistema urinario, el aparato reproductor. Ademas con el uso del pantalón el hombre ha terminado orinando de pie lo cual es totalmente antinatural. Las Faldas y los vestidos con faldas para los hombres son suprema-mente SALUDABLES, CÓMODOS Y CONFORTABLES. El pantalón, el calzoncillo ajustado, la costura central del pantalón, y la correa o cinturón, están promoviendo las enfermedades modernas de los hombres: IMPOTENCIA, ESTERILIDAD, PROBLEMAS DE LA PRÓSTATA Y POSIBLEMENTE CÁNCER DEL TESTÍCULO.

Ninguna parte del cuerpo del varon se maltrata mas que los genitales.

Por salud y comodidad mejor usar FALDAS O VESTIDOS CON FALDA

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Last msg of GuestBook :
Jean - Lyon - France - - added 08/02/2016.
Bravo pour ce magnifique site
Dommage que les articles sur la jupe se fassent rares.
Je me suis mis à porter la jupe de temps en temps depuis un an. Au début difficile de s'aventurer en ville tant la crainte des regards est grande. Mais en fait, cela passe assez bien. Cependant, j'ai l'impression d'être bien seul et j'aimerais bien que d'autres osent et que ce vêtement puisse ainsi être porté plus facilement.
Je précise que je suis un jeune senior et c'est par plaisir que je porte la jupe. Liberté de mouvement, originalité, confort.
Espérant que tout cela évolue vite...


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